Category: Academic Writing

  • Academic writing and spaces of resistance

    Academic writing and spaces of resistance

    by Kate Carruthers Thomas

    At SRHE’s Annual Conference 2025, I gave a paper which argued that community, collegiality and care were key elements of the writing groups and retreats I’ve facilitated for female academics. I used Massey’s heuristic device of activity space to foreground interactions of gender, space and power in those writing interventions. I concluded that in embodying community, collegiality and care, they can potentially be seen as activity spaces of resistance to the geographies of power operating across universities and the individualised, competitive neo-liberal academy.

    Academics must write. Written outputs are one of the principal means by which academics enact professional capital as experts and specialists in their disciplinary fields (French, 2020 p1605). Scholarly publications are central to individual and institutional success in the UK’s Research Excellence Framework (REF). Writing does not automatically or quickly lead to publication and just finding the time to write productively presents challenges at all career stages. But as Murray and Newton state: ‘the writing element of research is not universally experienced as a mainstream activity’ (Murray and Newton, 2009 p551). 

    Applying Massey’s analytical tool of activity space: the spatial network of links and activities, of spatial connections and of locations within which a particular agent operates’ (2005 p55)to this context, we can imagine the UK HE sector as an activity space shaped by networks and power relationships of disciplines, governance, financial and knowledge capitals, metrics and institutional audit. We can also imagine the sector’s 160 universities as nodes within that wider activity space. Massey coins the term ‘power geometry’ to describe how individuals and groups are differently positioned in relation to different geographies of power in activity spaces. For example, UK universities are more or less powerfully positioned across a spectrum of elite, pre-1992 and post-1992 institutions.

    We can also consider each university as an activity space, with its own spatial networks and connections shaped by the wider sector and by regional and local factors. These are enacted within each university through systems of management, workload and performance, creating the environments within which ‘agents’ – staff and students – work and study. Academics in more senior ranks, with higher salaries and research-focused roles are more likely to produce scholarly publications (McGrail, Rickard and Jones, 2006). And while the relationship between research and teaching is a troubled one across the sector, this tension is exacerbated for academics located in post-1992 institutions, many describing themselves as ‘teaching intensive’. Research and publication remain strategic corporate priorities for post-1992s, yet workload allocation is heavily weighted towards teaching and pastoral support.

    So, in relation to academic writing and publication, academics are also differentially positioned, more and less powerfully, within the activity space of the university. One of the key factors influencing that positioning is gender. If we scratch the statistical surface of the UK HE landscape we find longstanding gender inequality which is proving glacially slow to shift. Women form an overall majority of UK sector employees in academic and professional services roles but 49% of academic staff, 33% of Heads of Institution and 31% of Professors are women (Advance HE, 2024). They predominate in part-time, teaching-only and precarious contracts, all of which play a role in slowing or stalling academic career progression. These data cannot be seen in isolation from women’s disproportionate responsibilities for pastoral and informal service roles within the university and gendered social roles which place a burden of care for family, household and caring on many women of all working ages.

    Academic writing groups and retreats are a popular response to the challenge of writing productively. They can ‘be a method of improving research outputs’ (Wardale, 2015 p1297); demystify the process of scholarly writing (Lee and Boud, 2003 p190), and ‘enable micro-environments in what is perceived of as an otherwise often unfriendly mainstream working environment’ (ibid).  Groups and retreats are often targeted at different academic career stages and/or specific groups within the academic workforce. Since 2020, as critical higher education academic and diversity worker, I have run online writing groups and in-person writing retreats for female academics at all career stages, most employed at my own post-1992 university. Over 140 individuals have participated in one or other of the interventions and I used a range of methods (survey, interview, focus group) to gather data on their motivations, experiences and outcomes.

    The combined data of all three studies show that the primary motivation of every participant was to create protected space for writing, space not made sufficiently available to them within working hours, despite the professional expectation that they will produce scholarly publications. In this context, the meaning of ‘space’ is multi-dimensional: encompassing the temporal, the physical and the intellectual. The consequence of the interaction of protected temporal and physical/virtual space is intellectual space, or what was referred to by several participants as ‘headspace’ – the extended focus and concentration necessary to produce high quality scholarly writing (Couch, Sullivan and Malatsky, 2020) .

    When I launched the online writing group (WriteSpace) during the UK’s first COVID-19 lockdown, MS Teams software enabled the creation of a virtual ‘writing room’ and a sense of community over distance. Socially-isolated colleagues sought contact with others, even those previously unknown to them. As lockdown restrictions eased and remote, then hybrid, working arrangements ensued, the act of writing alongside others virtually or in-person remained an important way to engage in a shared endeavour. The in-person residential retreats in 2023 and 2024, followed Murray’s structured retreat model (Murray and Newton, 2009 p543).  Participants wrote together in one room, for the same time periods over three days. They also ate, walked and socialised together.

    Each of the writing interventions were multi-disciplinary spaces for female academics at all career stages, including those undertaking part-time doctoral study. Whatever their grade or experience, no one individual’s writing was more important or significant than another’s. These hierarchically flat spaces disrupted the normative power relationships of the workplace and the academy. On the retreats, additional practices of goal setting and review in pairs encouraged ongoing reflection and exchange on writing practices and developing academic identities.

    Many participants experienced the facilitation of the groups and retreats as professional care – a colleague taking responsibility for timekeeping, recommending breaks and stimulating reflection on writing practices. The experience of care was extended and heightened at the residential retreats because all meals were provided in a comfortable and peaceful environment and no household chores were required. This was particularly significant in the context of women’s social roles and conditioning to care for others.

    Viewing these writing interventions as activity spaces situated within the wider contexts of the university and the UK HE sector foregrounds interactions of power, space and gender in the context of academic writing. The writing interventions were not neutral phenomena. They were deliberately initiated and targeted in response to a gendered imbalance of power in the academy and the university. They were occupied solely by women. They intentionally prioritise temporal, physical and intellectual space for writing over teaching, administrative, pastoral, household and domestic responsibilities. Within them, academic writing becomes a social practice and a common endeavour.

    The interventions do not remove longstanding and pervasive gender inequality across the UK sector, change gendered social roles, resolve the tensions between teaching and research in the contemporary neoliberal academy, nor increase workload allocation for academic writing. However, in embodying community, collegiality and care they can potentially be seen as activity spaces of resistance to the normative geographies of power operating across universities and the wider sector. 

    Kate Carruthers Thomas is Associate Professor of Higher Education and Gender at Birmingham City University. Her research is interdisciplinary, drawing on educational, sociological and geographical theories and methods. She also has a track record in creative research dissemination including graphics, poetry and podcasting.

    Author: SRHE News Blog

    An international learned society, concerned with supporting research and researchers into Higher Education

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  • Reading time: discovery, meaning-making and resistance in the accelerated academy

    Reading time: discovery, meaning-making and resistance in the accelerated academy

    by Fadia Dakka

    The increasing exposure of higher education sectors worldwide to market mechanisms (eg privatisation in and of higher education, platformisation and assetization) generates market-making pressures, technologies and relations that are changing university missions and academic practices in both research and teaching, altering not only forms of knowledge production but also academic identities (Lewis et al, 2022).  These corporate, competitive systems operate in and through regimes of time acceleration and compression (Rosa & Trejo-Mathys, 2013; Wajcman & Dodd (eds), 2017) that enable capitalist accumulation via a proliferation of calculative practices and surveillance techniques driven by instrumental logics. In essence, the timescapes of the ‘accelerated academy’ (Vostal, 2016) have come to be not just dominated but defined by the linear rhythms of knowledge production, accumulation, consumption, and distribution.

    In this context, ever-present tensions continue to pit institutional time scarcity/pressure against the often non-linear times, rhythms and practices that characterise the craft of intellectual work. These are acutely visible in doctoral education, which is considered both a liminal space-time of profound transformation for students and a rite of passage through which doctoral candidates enter the academic community.

    Doctoral students in the accelerated academy experience tremendous institutional pressures to complete their research projects within tight timeframes punctuated by developmental milestones. At the same time, they are pressed to publish and participate in externally funded projects before completing their course of studies, to secure a positional advantage in a hyper-competitive, precarious job market.

    In such a climate, pressures to develop core academic skills such as academic writing abound, as a quick glance at the vast literature available to both novice and accomplished researchers to help them improve the quality and quantity of writing reveals (eg Sword, 2017, 2023; Murray, 2025; Wyse, 2017; Moran, 2019; Young & Ferguson, 2021; Thomson, 2023; Sternad & Power, 2023). 

    Much less attention is devoted to reading as an autonomous practice in relation to educational research. Reading is generally approached instrumentally for research and mostly equated with a strategic, extractive process whereby academics retrieve, survey or review the information needed for writing to maximise efficiency and speed (Fulford & Hodgson (eds) 2016; Boulous Walker, 2017).

    Doctoral students are taught to tackle the volume of readings by deploying selective, skim and speed-reading techniques that ‘teach’ them a practical method to ‘fillet’ publications (Silverman, 2010 p323) or ‘gut(ting) an article or book for the material you need’ (Thomas, 2013 p67). Without dismissing the validity of these outcome-oriented techniques, I argue that reading should be approached and investigated as research, which is to say as a philosophical orientation whose intimate relation with thinking (meditation and contemplation) and writing (as a method of inquiry) constitutes a conjuncture with transformative potential for both the reader and the text (Hoveid & Hoveid, 2013; Dakka & Wade, 2018). [RC1] [FD2] 

    In 2024, I was awarded a BA/Leverhulme grant that allowed me to examine, in collaboration with Norwegian colleagues, the under-researched area of reading habits, rhythms and practices among doctoral students in two countries, the UK and Norway, characterised by a markedly different cultural political economy of higher education. The project set out to explore how a diverse group of doctoral students related to, made sense of, and engaged with reading as a practice, intellectually and emotionally. Through such exploration, the team intended to examine pedagogical and philosophical implications for doctoral education, supervision, and, more generally, higher education through a distinct spatiotemporal lens.

    The project experimented with slow reading (Boulous Walker, 2017) as an ethico-political countermovement that invites us to dwell with the text and reflect on the transformations it can produce within the self and the educational experience tout-court. Examining the practice of reading is, therefore, vital to foster the development of the criticality and creativity that inform the students’ thinking and, ultimately, their writing, helping to create better conditions for meaningful educational engagement.

    As briefly mentioned earlier, there is a dearth of literature in educational research focused explicitly and directly on reading as a research practice. Conversely, Reading Theory and Reader-Response criticism (Bennett, 1995) are well-established strands in literary studies.

    Two contributions inspired the project in the cognate fields of philosophy, pedagogy, and education ethics, underpinning the theoretical and methodological framework adopted: Aldridge (2019), exploring the association between reading, higher education and educational engagement through the phenomenological literary theorisations of Rita Felski (2015) and Marielle Macé (2013). Reading here is considered as a phenomenological ‘orientation’ with ontological character: the entanglement of body, thought, and sense makes reading an ‘embodied mode of attentiveness’  with ‘rhythms of rapprochement and distancing, relaxation and suspense, movement and hesitation’ (Felski 2015, p176). Lastly, Boulous Walker (2017) introduces the concept of ‘slow reading’, or reading philosophically against the institution. This practice stands in opposition to the institutional time, efficiency, and productivity pressures that prevent the intense, contemplative attitude toward research that is typical of active educational engagement. The author calls, therefore, for slow reading, careful reading, and re-reading as antidotes against institutional contexts dominated by speed and the cult of efficiency.

    Bridging cultural sociology and philosophy of education, the project combined Hermeneutic Phenomenology (Schutz, 1972; Ricoeur, 1984) and Rhythmanalysis (Lefebvre, 2004) to gain insight into the lived experiences, embodied and cognitive processes of meaning-making, and spatiotemporal (rhythmic) dimensions of reading among doctoral students.

    The complementarity of these frameworks enabled a richer and deeper understanding of the phenomenon from a socio-cultural and philosophical perspective. The rhythmanalytical dimension drew on the oeuvre of the French philosopher and sociologist Henri Lefebvre. Conceived as both a sensory method and a philosophical disposition, Rhythmanalysis (2004) foregrounds the question of the everyday and its rhythms, offering insightful takes on repetition, difference, appropriation and dwelling. Lefebvre’s analysis of the conflicting rhythms of the social and the critical moments that revive/subvert the humdrum of the quotidian pivot on the experience and resonance of bodies in space-time, their imbrication with the fabric of the social and the multiplicity of their perceptual interrelations with human and more-than-human environments. Methodologically, Rhythmanalysis enabled a closer look at the students’ reading habits, rhythms and practices in relation to their doctoral studies. The emphasis on spatio-temporality and (auto-)ethnographic observations made it possible to register and grasp the tensions that derive from clashes between meso institutional constraints and demands (eg set timeframes for completion; developmental milestones), micro individual responses and circumstances (eg different modes of study, private and/or professional commitments) and macro societal context (eg cognitive, extractive capitalism).

    The phenomenological facet of the project drew on the hermeneutic, existential, and ontological dimensions found in Ricoeur’s and Schutz’s philosophy, which are concerned with grasping experiential meanings and understanding the complexity of human lifeworld.  Acknowledging the entanglement of being and Dasein as an ontological standpoint, human lived experiences are situated within a contingent spatiotemporality and understood through an interpretivist epistemology founded on intersubjectivity, intentionality and hermeneutics.

    This phenomenological-rhythmanalytical inquiry was therefore designed to explore students’ cognitive and affective experiences and practices of reading as they unfolded in the spaces and times of their doctoral education. The project involved two groups of doctoral candidates based in the Education department of, respectively, a teaching-intensive university in the West Midlands of England (Birmingham, UK), and a large, research-intensive university in Norway (Trondheim).

    The first phase of data collection involved Focus Groups and Reflective Diaries. It foregrounded the times, places, and rhythms of reading, considering reading modalities and patterns of doctoral students in the context of institutional demands vis-à-vis personal and professional constraints. Rhythmanalysis was employed both as a method (reflective diaries) and as an interpretive, diagnostic tool to uncover and critically reflect on arrhythmias (ruptures) and/or eurythmic pockets in the reading patterns of doctoral students.

    The second data collection phase relied on hermeneutic phenomenological techniques, such as Episodic Narrative Interviews (Mueller, 2019), to delve deeper into the affective, material, and cognitive experience that connects and transforms students and their readings.

    The final stage of data collection involved an experiment in collective slow reading and re-reading against the institution, inspired by Boulous Walker’s philosophical reading and Felman’s description of the interpretative process as a never-ending ‘turn of the screw’ (Felman, 1977) that generates a hermeneutical spiral of subsequent, ever richer, and different textual interpretations.

    Initial findings point to a complex and layered reading time experience, captured in its nuanced articulation by a rhythmic analysis of the students’ everyday practices, habits and affective responses.

    Commonsensical as it may sound, reading takes time. Engaging with a text to interpret and understand it is time-consuming, and most of our respondents in this project discussed this. Reading seems to project an experience of oneself as a slow reader, followed by a feeling of guilt for ‘just’ reading.

    Interestingly, clock time and phenomenological time appear to be juxtaposed in the reading process, creating conflicts and productive tensions for most of the PhD students in the project. For example, the students often welcome writing deadlines, as they create a linear rhythm that provides structure to their reading time. At the same time, the idea that reading should be done quickly and targeted to extract material for their thesis hovers over many participants, generating performance-related pressure and anxiety. Procedural aspects of reading, particularly managing volume and note-taking, are treated as a sign of success or failure, reinstating Rosa’s neoliberal equation of fast-winner, slow-loser in the accelerated, competitive academy (Rosa, Chapter 2 in Wajcman & Dodd (eds), 2017).

    However, a deeper engagement with reading both opposes and coexists with this tendency, evoking the notion of Barthes’ idiorrhythmy (Dakka, 2024) to describe the process of discovering and imposing one’s own rhythm. This rhythm typically resists linearity and dominant structure, requiring slowness as a disposition or a mode of intense attention to oneself and the world through the encounter with text. Even more intriguingly, slowness as heightened focus and immersion often occurs within short and fragmented bursts of reading, strategically or opportunistically carved into the students’ everyday lives, resulting from an incessant act of negotiation over and encroachments with personal, professional, and institutional times.

    The project explored, examined, and interpreted the rhythms and practices of reading in contemporary doctoral education along three axes: times (institutional, personal, inner, tempo, duration); spaces (physical, digital, mental); and affects as ways of relating (joy, guilt, anxiety, surprise, fantasy, etc). Together, these elements combine in unique and shifting configurations of dominant rhythms and idiosyncratic responses (rhuthmόs or idiorrhythmy), exposing the irreducibility of students’ experiences to harmful binaries (eg fast versus slow academia) while revealing the pedagogic affordances of a rhythmic and phenomenological analysis for contemporary universities. Spotlighting different approaches to reading, thinking, and writing enhances awareness of and attunement to developing one’s voice, listening and resisting capacity.

    Fadia Dakka is an Associate Professor in Philosophy and Theory of Higher Education at Birmingham City University. Her interests lie at the intersection of philosophy, sociology and theory of higher education. She is currently working toward theorising Rhythm as a form of ethics underpinning critical pedagogy in higher education. She recently received a BA/Leverhulme small grant (2024-25) to examine doctoral reading habits and practices in the UK and Norway.

    Author: SRHE News Blog

    An international learned society, concerned with supporting research and researchers into Higher Education

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  • The Keyword Generator from the University of Louisiana at Lafayette Library

    The Keyword Generator from the University of Louisiana at Lafayette Library

    Research and Writing Tool: The Keyword Generator from the University of Louisiana at Lafayette Library

    The University of Louisiana at Lafayette has an incredible tool for students and faculty  writing papers. Sometimes, I have a difficult time brainstorming ideas for a particular research topic (I know that I cannot be the only person), In the past few weeks, I stumbled upon a database quick search tool from U of L Lafayette, “https://www.millennialprofessor.com/2024/04/Keyword Generator“. 

    This is a ChatGPT prompt and it can help you develop keywords for your topic!

    Basically, you place your search terms or your associated keywords and the system provides some associated terms for you.

    Step 1 – I searched for “rural education”

    Step 2 – The keyword generator developed these keywords for me:


    1. Rural schools 

    2. Access to education in rural areas 

    3. Challenges in rural education 

    4. Remote learning in rural communities 

    5. Educational equity in rural schools 

    6. Technology in rural education 

    7. Teacher recruitment and retention in rural areas 

    8. School infrastructure in rural communities 

    9. Dropout rates in rural schools 

    10. Special education in rural areas 

    11. Community involvement in rural education 

    12. Funding for rural schools 

    13. Curriculum development for rural schools 

    14. Impact of poverty on rural education 

    15. Student achievement in rural schools 

    16. Distance education in rural areas 

    17. Cultural diversity in rural schools 

    18. Professional development for rural educators 

    19. Government policies affecting rural education 

    20. Best practices in rural education.

    Step 3 – After you view your results, you can copy and paste the results AND you can utilize ChatGPT without having to log in!

    What do you think about this tool? I will definitely use it! Thanks University of Louisiana at Lafayette!

    ***

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    Thanks for visiting! 


    Sincerely,


    Dr. Jennifer T. Edwards
    Professor of Communication

    Executive Director of the Texas Social Media Research Institute & Rural Communication Institute

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