University of Queensland pro-vice-chancellor of education and student experience Suzanna Le Mire hosted a student panel at the Queensland Commitment summit in October.
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University of the Sunshine Coast pro-vice-chancellor (global and engagement) Alex Elibank-Murray and technology lead Associate Professor Rania Shibl share their experiences of partnerships with industry to enhance student experience in fast-changing fields.
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In this episode of HEDx, Kylie Readman, the University of Technology Sydney’s deputy vice-chancellor of education and students, outlines a new venture in global online education.
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It’s been five years since our first podcast episode was released on September 9, 2020. Our aim was high: to launch a platform seeking to change higher education for good.
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Former Australian university leaders John Dewar and Dionne Higgins head up higher education consulting at KordaMentha.
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Deputy vice-chancellor of cooperation and innovation at Sweden’s Halmstad University Kristian Widen explained how market forces like IKEA changed the country’s higher education system.
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Vice-chancellor of James Cook University Simon Biggs said artificial intelligence is critical to help young people with companionship and loneliness.
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The Honourable Bill Shorten transitioned at the start of the year from cabinet to vice-chancellor and president of the University of Canberra.
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The third layer gives a podcast emotion and the three elements, together, make the sound of a podcast, he said.
“So, it’s not just music,” he said. “These three elements move together during the narration.”
The goal is to combine music and sound effects to create a “rhythm of narration.” After an important word, he might create a pause and in it increase the music. After that, come sound effects.
Caminero wanted to know what Micheli considers when creating music to give a podcast emotion and identity. Micheli said that an important part of the process is to re-listen to what you have done to try to create consistent sound.
“It’s very important because we spend a lot of time on the timeline,” he said. “We work a lot in depth on the details, but at a certain point you have to change your position and change your mind and you have to become not a creator, you have to become a listener.”
You don’t always need to create original music for your podcast soundtrack. Micheli suggests combining original music with music you can find in a sound library, but note that it isn’t easy. “It is quite a job to find the right music, right sound in this gigantic archive and match together original music and other music,” he said. “I think it’s the best way for creating the sound for a podcast.”
Creating original music makes the most sense for podcasts that are documentaries or fiction, Micheli said. But most important is that the podcast must have a good story and script first.
1. What does Micheli mean by a “rhythm of narration”?
2. How can you add great sound to a podcast if you can’t compose music yourself?
3. If you were to create a podcast series what would it be about and what kind of sound would you use?