Tag: Forprofit

  • Elite Influence and For‑Profit Exploitation in Higher Education

    Elite Influence and For‑Profit Exploitation in Higher Education

    As the 2028 presidential race accelerates, J.B. Pritzker has emerged as a favored candidate among Democratic power brokers. His public image—competent, pragmatic, socially liberal, and reliably anti-Trump—has been carefully shaped to appeal to voters exhausted by polarization and chaos. But beneath this polished surface lies a deep and troubling contradiction that the public, and especially those affected by the student-debt crisis, cannot afford to ignore. This contradiction, the Pritzker Paradox, stems from the profound dissonance between Pritzker’s public rhetoric about educational opportunity and the private capital networks that have fueled both his family’s wealth and his political ascent.

    The Pritzker family has long been intertwined with for-profit higher education and its surrounding ecosystem of lenders, service providers, and private-equity investors. These sectors have collectively played a major role in producing the contemporary student-debt crisis. While J.B. Pritzker often presents himself as a champion of equity, public investment, and educational access, his family’s financial history reveals an alignment with institutions that have extracted billions from low-income students, veterans, and Black and Latino communities through high-cost, low-value educational programs.

    This is not simply a matter of past investments. It is part of an ongoing and highly influential political economy in which wealthy Democratic donors, private-equity executives, and education “reformers” operate as a unified class. Central to that class formation is The Vistria Group, a Chicago-based private-equity firm founded by Marty Nesbitt, a close friend of Barack Obama. Vistria stands at the intersection of Democratic power and education profiteering. After the collapse of scandal-ridden chains like Corinthian Colleges and ITT Tech, Vistria did not step in to dismantle the exploitative for-profit model. Instead, it strategically acquired distressed educational assets and reconstructed them into a new generation of institutions that presented themselves as “nonprofits” while maintaining tuition-driven, debt-laden business models. Former Obama administration officials moved seamlessly into Vistria and related firms, raising serious questions about regulatory capture and revolving-door governance.

    Pritzker moves within this same Chicago-centered network. His political donors, associates, and advisers overlap significantly with the circles that built Vistria’s ascent. The structural relationships matter more than any single investment. A Pritzker administration would not exist outside this ecosystem; it would be shaped by it. The question, therefore, is not whether Pritzker personally signed a for-profit acquisition deal but whether the political world that produced him can be trusted to regulate higher education fairly and aggressively. The answer, based on the last twenty years of policy and practice, is no.

    This is especially troubling because presidents play a decisive role in higher-education oversight. Through the Department of Education, a president can strengthen or weaken borrower protections, set standards for nonprofit conversions, determine enforcement priorities, and decide whether private-equity extraction will be challenged or quietly accommodated. Millions of borrowers harmed by predatory institutions are currently awaiting relief through borrower defense, income-driven repayment audits, and Gainful Employment rules. The integrity of these processes depends on political leadership that is independent from the private-equity interests that helped create the crisis.

    Pritzker’s political style—managerial, technocratic, deeply rooted in elite networks—suggests continuity rather than challenge. The neoliberal framework he embodies does not confront structural inequalities; it manages them. It does not dismantle extractive systems; it attempts to regulate their excesses while leaving their core intact. In higher education, this approach has already failed. It is the reason the for-profit sector was allowed to expand dramatically under both Republican and Democratic administrations. It is why private-equity firms continue to control large segments of the educational marketplace through complex ownership structures and shadow nonprofits. And it is why millions of borrowers remain trapped in debts for degrees that offered little or no economic return.

    The Pritzker Paradox is therefore not a story about one wealthy governor. It is a story about the consolidation of political and economic power within a narrow elite that has profited handsomely from the financialization of education while promising, cycle after cycle, to reform the very problems it helped create. Vistria exemplifies this dynamic. The Pritzker family’s history echoes it. And a Pritzker presidency would likely entrench it further.

    America needs leadership willing to challenge private-equity influence in higher education, not leadership bound to it. The country needs a president who understands education as a public good, not a marketplace. For borrowers, students, and communities harmed by decades of predatory practices, the stakes could not be higher. The choice before the nation is not simply whether Pritzker is preferable to Trump. It is whether the country will continue to entrust its public institutions to elites who speak the language of equity while advancing the interests of the very networks that undermined educational opportunity in the first place.

    Sources
    Public reporting on Pritzker family investments in for-profit and education-related sectors; investigations by the Senate HELP Committee, GAO, and CFPB; reporting on The Vistria Group’s acquisitions and nonprofit conversions; analyses of private-equity influence in U.S. higher education; academic literature on neoliberalism and elite capture.

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  • For-profit performing arts college in New York to close

    For-profit performing arts college in New York to close

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    Dive Brief:

    • The New York Conservatory for Dramatic Arts plans to close at the end of its current academic year, with operations and classes set to end Aug. 31, it announced Tuesday
    • The for-profit arts college is currently coordinating with other institutions to help find spots for students who have not completed their programs by then. So far, it has established teach-out agreements with Five Towns College and American Academy of Dramatic Arts, both in New York. 
    • NYCDA trustees decided to close after a “thorough evaluation of our enrollment and financial forecasts,” the two-year college said in an FAQ page. In explaining the closure, it cited national college enrollment trends and demographic projections.

    Dive Insight:

    The 45-year-old NYCDA said that the decision to close “has not been made lightly, and it comes after exhaustive efforts to explore every possible alternative.”

    On the FAQ page about the wind-down, the college noted that “the landscape of higher education has meaningfully changed since the pandemic.” Its own fall enrollment fell by 8.6% to 286 students between the pre-pandemic year of 2019 and 2023, according to federal data. 

    Founded in 1980 by Joan See, a successful commercial actor, the New York City institution started with a single private acting class. 

    From there, it was built into a “nationally accredited college that to this day empowers actors to follow their dreams, prove the doubters wrong, and make a living doing what they love,” as the institution described itself in Tuesday’s announcement. 

    Before the closure decision, NYCDA offered two-year acting programs in theater, musical theater, and film and television, and a two-year program in media production geared toward actors. It also offers shorter-term programs, including certificates. Its alumni include film and television actors, including Miles Teller, Jacob Batalon and Ashleigh Murray. 

    NYCDA joins a growing list of private arts colleges to fail recently. Last year saw the sudden closure of University of the Arts in Philadelphia along with the Delaware College of Art and Design. Pennsylvania Academy of the Fine Arts, meanwhile, announced it would stop offering two- and four-year degrees at the end of the 2024-25 academic year.

    Those closures left holes not just in the higher education world of those regions but also in the local arts scenes, where the institutions employed working artists, hosted events and created hubs of artistic activity.

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