Tag: navigating

An editor or reviewer can have an outsize impact on the career of a scholar, particularly in the early stages. The stakes can be high for an author. A negative review or edit can set back a research plan by months and harm a scholar’s chances for tenure or promotion. This reality creates a power imbalance between an editor or reviewer and an author that can be abused.

Graduate schools offer few pointers on how to navigate editor and reviewer relationships. Our goal in this essay is to debunk the process and offer suggestions and observations for editors/reviewers and authors on how to approach the task in a more thoughtful and efficient way.

Understanding the Reviewer and Editor Roles

First, it is important to note that while reviewers and editors take part in a similar process—assessing the work of an author—the tasks are different. The editor is rarely an expert in the specific subject of an article and necessarily needs to rely on impartial reviewers to place the work in context. Nevertheless, the editor—and, at times, an editorial board—is the decision-maker in this equation. Having a clear and transparent line of communication between the author and the editor is critical.

The task of the reviewer is to place the work in its scholarly context and to weigh its merit. Is the work breaking new ground? Is it challenging a long-held interpretation within the academy? Are the sources contemporary and the most relevant? Does the work fit the subject area of the journal or press? Can it be revised to make it suitable for publication?

It is our strong belief that reviewers need to meet the authors where they are—that is, to understand the goal of the author, determine whether the work is suitable for the journal or press in question and, if so, help them reach the promised land of publication. Simply put: The reviewer should weigh the author’s case against the author’s intent.

Unfortunately, this does not always happen: It is sometimes the case that reviewers stray from this path and insert suggestions that they would like to see addressed but that are not central to the submitted work. The dreaded “reviewer number 2” has become the bane of many an author’s existence. In this sort of review, the reviewer raises so many questions and objections that an author is left to ponder whether the two are reading the same text. And, it must be said, just as on social media, anonymity can at times lead to incivility. Instead of being helpful, sometimes a reviewer is unkind and cruel.

The role of the editor is to referee between the goals of the author and the desires of the reviewer. Egos and politics often come into play in this process because reviewers in many cases are colleagues of the editor and contributors to the publication in question. Our experience suggests there are two major types of editors. Authors will need to adjust their approach based on which of these two types best describes their editor:

• Sympathetic editor: This is the ideal. This editor will work with an author to publish a submission if the research is strong and will allow them to keep their own voice. They do not seek to impose their vision on the book or article. They do not allow their personal politics to influence the decision-making process. They are driven by one central question: Does the author accomplish what they set out to do? This type of editor tries to determine whether a reviewer is acting out of hubris by suggesting tangential and substantial changes or whether they are addressing core issues. On the opposite end of the spectrum, they are alert to the two-paragraph, lackadaisical reviewer who read the work over lunch while answering emails.
• Visionary editor: It may sound counterintuitive, but an editor with their own vision for someone else’s work can mean frustration and ultimately rejection for an author. This type of editor sees someone else’s work as an opportunity to explore an aspect of a topic that interests them. They impose their own vision on someone else’s work rather than determining whether the author has achieved the goal they set for themselves. This typically takes the form of a lengthy response asking an author to fundamentally rethink their piece. The response contains so many critiques that to adhere to the suggestions would amount to writing a completely different piece of scholarship. This editor also tends to extend and even impede the process almost endlessly.

As an example, upon the death of Fidel Castro in November 2016, the Latin American historian of this writing duo (Argote-Freyre) was asked by a journal editorial board member to author an article comparing the career of Castro with that of the prior dictator of Cuba, Fulgencio Batista. The resulting piece concluded that the two political figures shared more similarities than differences. The editor, although agreeing to the concept, was unhappy with the conclusions reached by the essay. The editor struck out paragraph after paragraph; a lecture on tone and thesis ensued.

The editor suggested a piece analyzing the revisionist historiography on Batista—a subject outside the contours of the original assignment and one that would take many months to complete. The author made a rookie mistake in assuming that a member of the editorial board was vested with the authority to make assignments. In retrospect, it seems as if the assignment was foisted upon the working editor, who then wanted to steer the piece in a completely different direction. The author withdrew the piece; the only positive was that only a few months were lost in the process.

The visionary editor is the type who is never satisfied. They forget that the piece is the author’s, not theirs. Yes, the editor is a gatekeeper for the journal or press, but if it is not a good fit, they should say so and move on. This picky editor sends a revision back to a new third (or fourth) reviewer, who is likely to ask for another, different round of revisions. This is nothing other than moving the goalposts. One of us had this occur with an editor who said, “As you know, we often send articles to several rounds of reviewers.” Well, we did not know, because the journal’s website did not say that. Such a process could go on forever and, to our eyes, makes no sense. The editor should decide on his or her own whether the author has revised sufficiently: It is clear from the reader reports what needed to be done, so just check and see. The editor needs to be decisive.

At the point a work is about to be sent to an additional set of reviewers, an author needs to withdraw the article or book from consideration. Run as fast as you can in search of another editor and publication. Do not let someone waste your time, especially if your clock is ticking for tenure and promotion.

How to Make Relationships Work— and When to Walk Away

The author-editor relationship should be a dance, not a duel. An author is not at the mercy of the process; you are a partner. If you are not clicking with the editor, walk away. A bad first date rarely turns into a good second date. This is particularly true when working on a book project, given the many steps and long timeline involved.

For a revise-and-resubmit, we suggest strongly that you be professionally assertive. Ask about the review of the resubmission before you do it. If the editor says it will go to new readers, withdraw the piece. This never goes well. Editors should be transparent about the steps involved. It is our experience that some editors are hesitant to divulge their process. If that is the case, the author needs to reassess the integrity of that process.

Being fully transparent allows you to ask for transparency in return, whether you are an editor or an author. If, as we have experienced, two peer reviews come in that are quite opposed, the editor should get a third before returning to the author. If there are two or three reviews, the editor should synthesize them with a memo attached to the reports. The summary should go something like: “All reviewers agree chapter four needs to be revised with this material, but there is disagreement about chapter six.” There is also nothing wrong with asking the author to make the tough call on a contested point of interpretation. Once again, it is the author’s scholarship, not the editor’s, the journal’s or the press’s.

For authors: Have a conversation with the editor. If it’s a call, follow up with a written summary. When responding to reader reports, especially when they disagree, say what you will and will not do. Do not say you will revise when you disagree—but don’t be stubborn. Give a little to get what you won’t compromise. If you disagree with a reviewer’s suggestion, say why, and ask the editor for approval not to make a specific change suggested in one of the reader reports. Get that approval. If the editor says the revision will go back to one or both original readers instead of making the final call himself, politely insist that the written exchange between the author and editor be sent along, too.

It may not always work. Recently, one of us did just what we described and the editor said the plan sounded good, only to have the journal reject the revision. The editorial board said a specific change was not made even though the editor agreed that change would not be necessary. Poor communication and coordination between an editor and an editorial board should not penalize an author.

Finally, we’d like to briefly weigh in on the argument that professors should reject peer reviewing because it is an unpaid task. If you do not want to do it, don’t—but there are compelling reasons to write responsible peer reviews. First, unpaid labor is not without merit. Even if your tenure and promotion committees might not value the task, that does not mean it is not worthwhile. You’re not paid to volunteer at your local food pantry, but you still do it. Second, people do this for you; it is time to be generous in return. Third, reviewing provides insights into the process for your own work. Peer reviewing keeps you current on trends in the field. Editing and peer reviewing make you a better writer and produce better scholarship. Isn’t that what we all want?