Tag: voice

  • You can’t give students a voice. They already have one

    You can’t give students a voice. They already have one

    Every university claims to listen to students.

    There are surveys, panels, and partnership charters. But the more we talk about “student voice,” the more it feels like a mirage — visible from afar, shining with good intentions, but evaporating when you try to reach for it.

    As a design-thinking researcher and former student-engagement officer, I’ve spent years inside the machinery of voice work – consultations, focus groups, strategy meetings.

    What I’ve learned is we are listening without shifting power. Student voice has become a ritual of responsiveness, not a practice of reciprocity.

    In the past decade, universities have professionalised listening. We’ve built complex infrastructures for gathering feedback, but not for sharing authorship.

    Voice work has become a compliance exercise — a measure of satisfaction rather than a method of transformation.

    The problem isn’t silence – students are speaking all the time. The issue is translation: when their insights are filtered through layers of policy language and institutional defensiveness until they lose their edge. What began as dialogue becomes data.

    In the process, we confuse being consulted with being heard.

    Feeling Safe vs Seen

    To make someone feel safe is to create ‘space’ for them. To make someone feel seen is to invest the time, patience, and trust to understand how they want to use that space and why.

    I saw this difference clearly while working on a student–staff co-creation project. In the early stages, student researchers often waited for permission – Was their contribution valid enough? Were they saying the right thing?

    But as trust deepened, something shifted. They began designing the process itself, suggesting new methods, reframing priorities, and challenging assumptions about what “impact” looked like.

    That shift is where genuine belonging begins. When people feel seen, they stop performing inclusion and start practising it.

    Much of voice work is framed around safety: creating inclusive spaces where students feel comfortable to speak. Safety is vital, but it’s a starting point, not the goal.

    A culture of care must also create space for being seen; to be recognised, credited, and empowered to influence change. This is what a reimagined approach to student voice looks like: not just making room at the table, but re-designing the table itself.

    Why the need? And why now?

    Since the pandemic, the sector has experienced what I like to call survey fatigue — an exhaustion with being asked, again and again, to give feedback that rarely seems to matter.

    The first time I realised this was when I was working on a project that required collecting feedback from students and staff across all faculties, asking them questions about how “seen” they currently feel in the curriculum of their chosen course at university.

    I tried everything to get people to fill in forms and surveys, from emails and Teams messages to social media shout-outs, newsletter drop-ins, and society collaborations. Nothing worked.

    This is when I realised that survey fatigue is real. Engagement today feels more transactional than ever, and trust is at an all-time low.

    Across the sector, “partnership” frameworks sound progressive but often operate like consultation in disguise. Students are invited to advise on projects already designed, to validate choices already made. Participation without power becomes a performance of inclusion.

    The challenge is not how to listen better, but how to design differently. Reimagining student voice means asking who sets the terms of engagement; whose definitions of value, tone, narrative and time frame dominate decision-making. Until those change, inclusion risks being aesthetic rather than structural.

    Reimagining through friendship

    In my work, I’ve turned to what I call friendship interviews — a methodology borrowed from participatory and feminist research traditions. Instead of formal interviews, these are conversations between peers who already share trust, care, or curiosity.

    The format shifts the dynamic from extraction (“tell me your story so I can record it”) to reciprocity (“let’s reflect on what this means for both of us”).

    I would like to acknowledge that this method that I draw on — friendship interviews — has existed for centuries in indigenous, Global Majority, and marginalised community contexts, often as storywork, collective reflection, and relational accountability.

    Although these practices have recently sprung to the surface and gained legitimacy through Western research frameworks and white voices in HE, it is important to acknowledge that its roots lie in the relational storytelling practices of marginalised and indigenous communities, where reciprocity and care have always been forms of research.

    When students interview each other this way, the knowledge that emerges is intimate, emotional, and often invisible to traditional evaluation frameworks. These are not side stories but actual indices of impact, evidence that relationships are changing the culture of learning.

    Friendship interviews make visible what quantitative feedback flattens – the behavioural and relational changes that sustain inclusion.

    From mirage to movement

    The mirage of student voice will only fade when we stop chasing reflections and start building relationships. So what can we do?

    For starters, stop using phrases like “giving students a voice”. Because you cannot give someone what they already have. Hence to make student voice meaningful again, you must start listening differently; stop treating voice as sound and start treating it as structure.

    That means listening differently, through methods that centre care and reciprocity, such as friendship interviews. It means evaluating relationally, capturing change through stories and behaviours, not just metrics.

    Understand the intersectionality of student journeys is important too. Who do your stories speak to and who do they isolate? And designing beyond the pilot is crucial, embedding co-creation into the everyday fabric of teaching and governance.

    It’s also about getting comfortable with the uncomfortable. Voice work is all about embracing vulnerability. What worked? What didn’t work; what did you get wrong? Why? What are you doing about it? Trust is built in accountability; not in numeric displays of perfection.

    Universities must realise that they are not Bob-the-Builders. They can’t just magically fix problems that students are facing through a one-off pilot project or a series of surveys.

    But they can invest in understanding student journeys, not just through highlights but as whole, lived experiences.

    Real voice work begins when you start moving beyond the safety of what you already know, and invest in the seen-ness and clarity that comes with embracing relationality, storytelling, and power-distribution.

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  • New HEPI Report: Rethinking student voice: how can higher education design effective student governance?

    New HEPI Report: Rethinking student voice: how can higher education design effective student governance?

    Author:
    Darcie Jones

    Published:

    The new report Rethinking Student Voice: How higher education must design effective student governance (HEPI Report 195), written by Darcie Jones exposes a key issue within university governance: the marginalisation of student governors.

    With financial pressures intensifying across the sector, thee stakes for effective governance have never been higher. Yet, despite being core stakeholders within universities, many students on governing boards feel sidelined by opaque processes and exclusive norms. The evidence within this report reveals a persistent gap between symbolic representation and meaningful participation.

    However it’s not all bad news, the report also highlights what is possible when the student voice is taken seriously. Using examples of effective practice it demonstrates the transformation value of empowered student governance.

    Drawing on extensive evidence and sector insights, the report sets out clear, actionable reforms – from accessible governance culture, to improved recruitment, induction and development. They provide a pathway from why student perspectives and voices can be embedded at the heart of decision-making within universities.

    You can read the press release and access the full report here.

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  • The power of one voice

    The power of one voice

    The reaction to Alla’s interview contrasted with the pro-Ukraine demonstrations that met Russian soprano Anna Netrebko when she appeared on the opening night of Puccini’s “Tosca” at the Royal Opera House in London earlier this month.

    In contrast, the appearance of Netrebko, who has said in an understated way that she is against the war, sparked a debate in the British press about whether politics and art should be mixed.

    But Alla was clear. She said she felt she had to tell the truth for the sake of her children.

    Repercussions of speaking out

    Her interview, lasting more than three-and-a-half hours, ranged over many topics, from her musical memories to her five husbands. But it was when she grasped the nettle of politics — and how politics affected her family — that it became gripping.

    Alla is married to the Russian-Israeli stand-up comedian Maxim Galkin, who at 49 is 27 years her junior (their 12-year-old twins Liza and Harry were born via a surrogate mother).

    Straight-talking and irreverent, Galkin shared a stage with Ukraine’s comedian-turned-president Volodymyr Zelensky for Russia’s iconic New Year’s Eve show in 2013. He opposed the war with Ukraine, when it broke out in 2022.

    After Galkin spoke out, Alla said she was summoned to the Kremlin for a “talk” with Sergei Kiriyenko, the first deputy chief of staff of the presidential administration. The conversation seemed to be friendly enough. But a few days later, Galkin was declared a “foreign agent”.

    Alla said that when their children went to school after that, they were mocked as the children of spies and told that their father was a foreign agent and their parents were enemies. The family packed up and left — first to Israel and then to Cyprus. They spend their summer holidays in Latvia.

    “They call me a traitor,” Alla said in the interview. “And what exactly did I betray? I have said that I could leave my homeland, which I love very much, only in one case — if my homeland betrayed me. And it has betrayed me.”

    Strong words from a woman who has been a celebrity in Russia for decades.

    A performer for the people

    Classically trained to conduct choirs, Alla shot to stardom in 1975 when she won the grand prix at the Golden Orpheus international song contest in Bulgaria with the song “Arlekino” (Harlequin).

    Banned by the Communist Party from collaborating with ABBA, she became huge in her own right — as big as Tina Turner, say, in the United States — and always sang for the people. In 1986, for example, she appeared in a special concert for the firemen who risked their lives in the aftermath of a devastating explosion at the Chernobyl nuclear plant in northern Ukraine, when it was part of the Soviet Union.

    Because Alla never projected herself as a diva but rather as “the woman who sings”, she won the hearts of millions and was loved by everyone, from housewives to mafia bosses. In the 1990s, there was even a petition calling for her to stand as Russian president, which she modestly laughed off.

    Russian journalist and writer Mikhail Zygar, who now lives in Berlin, wrote that Alla’s statements against Putin are important because she had never been a political activist.

    “Millions of Russians always considered her ‘one of their own’ — because through her songs she expressed the pain and suffering of ordinary Russians,” he said. “The fact that she has stopped keeping silent and spoken out openly against the war is a very important signal. She has always been the voice of millions of mute, wordless, unhappy Russians. Now they will think the way she put it — that’s how her interview is being described on social media.”

    Perhaps the biggest indication of the strength of the interview was the speed and viciousness with which the Russian authorities reacted.

    Foreign Ministry spokeswoman Maria Zakharova called it a “bazaar of hypocrisy” while parliamentary deputy Vitaly Milonov said: “I believe that in her interview, Pugacheva said enough not only to warrant the status of ‘foreign agent’ but also to fall under several criminal articles, including the justification of terrorism.” The pro-Kremlin ruler of Chechnya, Ramzan Kadyrov, went so far as to call Alla an “enemy of the people”.


    Questions to consider:

    1. In what ways could it be “patriotic” to criticise your own country?

    2. Should art and politics be mixed?

    3. Can you think of other artists or musicians who have risked their popularity by standing out against their government’s policies?


     



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  • Introducing the Flocabulary Student Voice Rap Contest!

    Introducing the Flocabulary Student Voice Rap Contest!

    At Flocabulary, we love seeing students use their voices and creativity to share what they’ve learned and are interested in. That’s why, this school year, we’re inviting students to become researchers, lyricists, and rappers for the chance to turn their lyrics into a Flocabulary lesson!

    The Flocabulary Student Voice Rap Contest is a new student writing contest that asks kids to select a historical figure that piques their interest and use their creativity to write about what they learn. The winning students will have their hip-hop inspired raps turned into a Flocabulary video and suite of activities, which will be published on our platform to be viewed by 20,000 schools across the country!

    In the words of hip-hop legend and rapper Nas, hip-hop has been a “voice for the voiceless.” So, what better way to celebrate and uplift student voices than with a rap-writing contest? This annual fall contest gives students the opportunity to express themselves, share their voices, and showcase their creativity and skills.

    You may be familiar with our previous student contests for Hispanic Heritage Month, Black History Month, and our parent company Nearpod’s Asian American and Pacific Islander Heritage Month contest. The Flocabulary Student Voice Rap Contest combines these individual events into one contest, dedicated to celebrating and uplifting student voices.  

    In our past contests, Flocabulary winners would see their lessons published in the summer or the following school year. By shifting to a single contest, we can accept submissions and share the winning student lessons all within the same school year. 

    The new contest will continue to encourage students to honor the multicultural heritage of the U.S. Together, we hope to inspire a range of diverse topics, unique perspectives, and creative writing opportunities for students.

    You can use our past contest winners’ videos to inspire your students for this year’s contest!

    First, students will choose a historical figure to write a rap song about. The only parameters are to pick a person who has had a significant and lasting impact on history and does not already have a lesson about them in Flocabulary.

    Invite students to select a figure they feel a personal connection to or are interested in learning more about. Students can use this project as a mirror, selecting a figure they see themselves in; or as a window, selecting a figure that helps them learn more about the world around them. 

    Then, it’s research time. They’ll learn about the person’s life, significance, and the traits that made them impactful.

    Now, for the fun part: They take the research they’ve compiled and turn it into a rap song! Students can utilize the Lyric Lab or our graphic organizer in the contest packet. Their lyrics should rhyme, have rhythm, include figurative language and wordplay, and be at least 16 lines long.

    Finally, fill out an entry form and submit the song before submissions close on November 30, 2025, at 11:59 P.M. EST. 

    The Flocabulary team will then consider all entries and pick 10 finalists. The selected finalists will be invited to record a performance of their song for their chance to be named our contest winners! Two winners will be selected—one from grades K-5 and one from grades 6-12. The winners will collaborate with the Flocabulary team to create a song, video, and lesson inspired by their submission.  

    The final lessons will premiere on Flocabulary in April, National Poetry Month, to celebrate our talented student poets—because hip-hop is poetry, after all!

    Hip-hop and poetry may seem like two very different genres—but hip-hop artists rely on many of the same techniques as poets, including imagery, alliteration, metaphor, simile, rhythm, and rhyme. They also use similar form devices, such as iambic pentameter, internal rhyme, prose, theme, motif, meter, and flow.  

    Take Kendrick Lamar, for example—he is regarded as one of the most influential hip-hop artists of all time. He is known for his complex lyricism and technical artistry. In 2018, Lamar made history when he won the Pulitzer Prize in Music. It was the first time in Pulitzer history that the prize had been awarded to an artist outside the classical or jazz genres.  

    But hip-hop is about more than poetry or music. Since its inception, hip-hop has centered around five elements, or pillars, including: 

    • DJing 
    • Breaking (or breakdancing) 
    • MCing (or rapping) 
    • Graffiti 
    • Knowledge 

    By blending these elements together, hip-hop has grown and become more than a genre of music. It’s a lens through which we can view the world, a way of viewing, experiencing, comprehending, and critiquing life—a way of being. 

    Hip-hop is also a powerful tool for teaching. Flocabulary is built on hip-hop’s unique ability to tell stories and invoke emotions. Academic vocabulary is a leading indicator of student comprehension, and the more students understand, the more successful they can be. Hip-hop has two to three times the number of words per song compared to other genres, making it the perfect vehicle to teach academic vocabulary and other educational content. Utilizing hip-hop in the classroom offers an engaging way to connect with students and teach curriculum, while also imparting important literary techniques that can help them become stronger writers.

    So, what are you waiting for? Help your students find their voices this fall—get started on their submissions today and enter the Flocabulary Student Voice Rap Contest! Download the contest packet for the rules, rubric, and other resources.  

    We can’t wait to hear what your students have to say!

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  • Should you give equal voice to all perspectives?

    Should you give equal voice to all perspectives?

    Journalists are often told to be objective and to tell both sides of a story. They are taught to seek multiple perspectives. This means that when reporters interview an expert about any given topic, they are encouraged to find another source with a different opinion to make it “fair” and “balanced”. 

    Journalists also know that conflict makes a story more interesting and that gets more eyeballs or ears which allows their news organizations to sell more ads and subscriptions. 

    But research any topic and you will find disagreements among scientists, ecologists, business leaders, politicians and everyday people. In other words you can just about always find conflict. 

    Be careful of this. In homing in on conflict you could create a false balance. That’s when you make two sides seem more equal than they are. 

    The classic example is climate change. One of the reasons why it took so long for governments to recognize the danger of climate change is that for years journalists would balance the many, many scientists warning about carbon levels with the very few scientists who said the problem was overblown. 

    So how can you report multiple perspectives without creating a false sense of balance?

    A few suggestions

    Focus on facts, not opinions. And know the difference. 

    A fact can be verified through data and anecdotes of things that happened and that can also be verified. 

    When sources give you information, ask them: “How do you know that?” and “Do you have evidence to back that up?” 

    Even when they have evidence to back up what they say, question why they take the stand they take, or why they came to the conclusions that they did. It is almost as easy to find evidence to support a position as it is to find conflict in a story. I found myself almost believing that the earth is indeed flat when an advocate of that theory seemed to offer up a pile of convincing evidence. 

    To get the public to not worry about the dangers of tobacco, people from the tobacco industry offered up all kinds of evidence for years. People from the fossil fuels industry can offer up all kinds of evidence that human behavior (like driving petrol-powered cars) doesn’t cause climate change. 

    So it is important when you publish information someone has given you, to explain to your audience how that person benefits or is hurt by the issue. 

    Not all experts are equal.

    When seeking opinions or assessments, do so from people with actual expertise. That’s not the same as a level of education or a fancy title. Don’t be afraid to ask people: “How do you know this?” Someone without a university degree might have lived experience with a problem, while someone with a doctorate might never have experienced what you are reporting on. Politicians are fond of talking about the problems of poor people even though many of them came from privileged backgrounds. 

    Don’t be afraid to challenge people’s statements. Let them know when you find contradictory information. When you challenge people it is not a sign of disrespect. It is a sign that you have carefully listened to what they said, have thought about it and are now questioning it. Disrespect is to take something someone says without really listening or thinking about it. 

    Question data people cite or that you find. A census conducted in 2010 in Nabon, a rural area in Ecuador, found that almost 90% of the population was “poor”. That’s an astounding figure, and if used as data in the media, paints a very particular picture. However, a different study in 2013, conducted by the University of Quenca with the Nabon municipal government at the time, found a significantly different figure — that about 75% of the population reported to be highly satisfied with their lives when assessing “subjective wellbeing”. 

    The difference in figures is due to the indicators used to measure satisfaction. The “subjective wellbeing” survey by the University of Quenca measured people’s control over their lives, satisfaction with their occupation, financial situation, their environmental surroundings, family life, leisure time, spiritual life and food security. The census from 2010, however, looked at housing, access to health and education and monetary income.

    So the language used for measuring life satisfaction was important and that the context of the data — how and why it was collected — can change the meaning of the information. To make sure you don’t misreport data, try to avoid overly relying on just one source of numbers or statistics. Instead, check what other data is out there. 

    Report the reality.

    Your job as a journalist is to present the information in such a way that your audience can recognise what is actually happening and why it’s important. 

    Does what the experts say or what people say about their personal experience go against what you have seen out there yourself? People often exaggerate without even realizing that they are doing so. Our memories are often faulty; we might think we know things that we really don’t. 

    Taking all this into account, it is ultimately up to you, as a journalist, to decide how much balance to give to the multiple perspectives you have gathered. If the experiences and evidence and your observations and common sense all point to a reality, then you will mislead your audience if you balance that out equally with people who offer up what seems to be a different reality. 

    That doesn’t mean that you should silence them or keep them out of the story altogether. Understanding and exploring opposing viewpoints is important so that ultimately people can reach an understanding.

    Without that understanding, consensus isn’t possible. And it is difficult to make progress in a society without consensus.

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  • How to amplify youth voice? Bring teens into the pressroom.

    How to amplify youth voice? Bring teens into the pressroom.

    Each year, Global Youth & News Media recognizes news organizations that are innovating in ways that include or help young readers and young journalists. 

    The France-based nonprofit, founded in 2018, seeks to reinforce connections between young people and news media. 

    This year, it held a global competition to find projects that could show how young people are helping news organizations survive in a world where too many of them are shutting down. 

    “I was looking at who was helping local news for a different project and noticed that nearly every journalism-related NGO I knew was doing something to help local news survive,” said Aralynn McMane, executive director at Global Youth & News Media. “And new nonprofits were emerging only for that purpose.”

    The problem, though, was that she didn’t see much sharing of that knowledge. So one of the aims of the competition was to create cross-pollination — highlight projects that could be replicated by other organizations elsewhere and provide a forum for the sharing of lessons learned. 

    “This was a particularly satisfying competition for us because we found so many great win-win cases of meaningful youth-local news collaborations from all over the world with lessons for newsrooms most anywhere,” McMane said.

    Can we fertilize the news deserts?

    News Decoder is deeply concerned about the emergence of “news deserts”: localities that no longer have any news outlets as profit-driven corporate owners pull the plug on local newspapers.

    A study in 2023 found that more news outlets in the UK were closing than were being launched. In Canada, between 2008 and 1 April 2025, more than 500 local news outlets closed in some 370 communities across the country, according to the Local News Map crowd-sourcing data initiative. Meanwhile, a report from the Brookings Institution found that in the United States in 2023, some 2.5 local news outlets folded every week.  

    That’s why I was honored to serve as one of 26 judges from 17 countries in the competition. While the entries taken as a whole gave me reason to hope, the winners left me inspired. 

    The competition found dozens of collaborations across six continents. They served to remind us of the vital public service mission local news organizations perform when they have the resources to do so. 

    Consider The Westsider in Melbourne, Australia. The staff there recognized the need for voters to be informed about the candidates in local elections and how they stand on important local issues. But to chase down dozens of candidates takes staffing that The Westsider doesn’t have. So with a small grant from a local journalism organization, the paper recruited 72 students from RMIT University to chase down every candidate running for a local office and ask them a series of questions. From that funding the paper produced a non-partisan voter’s guide. 

    Youth can tell important local stories.

    Another standout was Phralipen of Croatia, who collaborated with Youth Roma Congress to produce stories about the Roma community through reporting, multilingual content and participatory journalism.

    Then there was the Contra Costa Youth Journalism program in Northern California, a collaboration between the Contra Costa County Office of Education and Bay City News/Local News Matters, a news organization based in Berkeley, California. The program recruits and trains young people from underserved communities to be journalists and has published more than 70 stories from these areas as a result. 

    Katherine Rowlands, the founder and publisher of Bay City News and Local News Matters, said programs that bring young people into journalism are important.

    “It is critical to train and inspire the next generation of journalists so we create a pipeline of future reporters to inform, question and make sense of the world,” Rowlands said. “It is also really important for us to include these younger voices in the journalism we do now so that we more accurately reflect our communities and bring their issues to the forefront.”

    From Pakistan to Botswana, Bolivia to Tanzania, the competition identified news organizations finding ways to bring young people into their newsrooms to ensure that what young people do, and the issues that are important to them, are not left out of local news coverage. In the process, they are finding that for organizations that are short-staffed and short of funds, young people are a key resource that has been long overlooked.

    The entries were graded on the impact on the local community and transferability — whether the project could easily be replicated by other news organizations in other places. 

    One thing we’ve learned at News Decoder — and which the results of this competition clearly showed — is that young people are eager to have their voices heard and see journalism as an effective way to do that. 

    News organizations can benefit from their passion and energy and also from the perspectives they bring. 

    The full list of winners

    GOLD AWARD (most transferable, clearest on impact)

    • The Westsider with RMIT University (Australia)
    • Stamp Media (Belgium)
    • Phralipen and the local Roma community (Croatia)
    • The Greenline (Canada)
    • Časoris and Črni Vrh primary school (Slovenia)
    • Landshuter Zeitung/Mediengruppe Attenkofer podcast mies keck (Germany)
    • Bay City News Foundation with Contra Costa Youth Journalism (United States)
    • The Spotlight News with The University at Albany (United States)

    SILVER AWARD (transferability and clarity of impact)​

    • Casa de Nadie (Bolivia)
    • Nyugat.hu (Hungary)
    • Cable Newspaper Journalism Foundation (Nigeria)
    • Univerzitetski Odjek (Serbia)
    • Orkonerei FM Radio (Tanzania)
    • The Jersey Bee (United States)

    COMMUNITY AWARD (potential for community impact)

    • Daily News (Botswana)
    • Thinking Abyss (Greece)
    • Kashmir Times (Kashmir)
    • Risala Today (Pakistan)
    • SF Channel Bitegeere (Uganda)

    Full list of winners available on the Global Youth & News Media website.


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  • Report highlights growing movement to elevate student voice in school communications

    Report highlights growing movement to elevate student voice in school communications

    Key points:

    As K-12 leaders look for ways to strengthen trust, engagement, and belonging, a growing number of districts are turning to a key partner in the work: their students.

    A new national report from the National School Public Relations Association (NSPRA) and SchoolStatus reveals that districts that incorporate student voice into their communication strategies–through videos, messaging, and peer-created content–are seeing real results: stronger family engagement, increased student confidence, and more authentic school-community connection.

    The report, Elevating Student Voice in School Communications: A Data-Informed Look at Emerging Practices in School PR, is based on a spring 2025 survey, which received 185 responses from K-12 communications professionals. It includes real-world examples from school districts to explore how student perspectives are being incorporated into communication strategies. It highlights the growing use of first-person student storytelling, direct-to-student messaging, and student internships as strategies to build trust, improve engagement, and strengthen school-community relationships.

    “School communicators do more than share information. They help build connection, trust, and belonging in our communities,” said Barbara M. Hunter, APR, Executive Director of NSPRA. “Elevating student voice is not just a feel-good initiative. It is a powerful strategy to engage families, strengthen relationships, and improve student outcomes.”

    Key findings include:

    • Video storytelling leads the way: 81 percent of districts using student voice strategies rely on video as their primary format.
    • Direct communication with students is growing, but there is room for improvement in this area: 65 percent of districts report at least some direct communication with students about matters that are also shared with families, such as academic updates, behavioral expectations or attendance
      • However, just 39 percent of districts copy students on email messages to families, and just 37 percent include students in family-teacher conferences, allowing them to be active participants
    • Internships on the rise: 30 percent of districts now involve students as interns or communication ambassadors, helping create content and amplify student perspectives
    • Equity efforts around student storytelling vary significantly. While some districts say they intentionally recruit students with diverse perspectives, fewer encourage multilingual storytelling or provide structured support to help students share their stories

    Early results are promising: Districts report improved engagement, stronger student confidence, and more authentic communication when students are involved.

    • 61 percent of districts that track comparisons report student-led content generates higher engagement than staff-created communications
    • 80 percent of respondents observe that student voice positively impacts family engagement
    • A majority (55 percent) said direct communication with students improves academic outcomes

    Building Inclusive Student Voice Strategies
    The report outlines a three-part approach for districts to strengthen student voice efforts:

    • Start with student presence by incorporating quotes, videos, and creative work into everyday communications to build trust and visibility
    • Develop shared ownership through internships, ambassador programs, and student participation in content creation and feedback
    • Build sustainable systems by aligning student voice efforts with district communications plans and regularly tracking engagement

    The report also highlights inclusive practices, such as prioritizing student consent, offering mentorship and support for underrepresented students, featuring diverse stories, involving student panels in review processes and expanding multilingual and accessible communications.

    “When districts invite students to take an active role in communication, it helps create stronger connections across the entire school community,” said Dr. Kara Stern, Director of Education for SchoolStatus. “This research shows the value of giving students meaningful opportunities to share their experiences in ways that build trust and engagement.”

    The report also explores common challenges, including limited staff time and capacity, privacy considerations and hesitancy around addressing sensitive topics. To address these barriers and others, it offers practical strategies and scalable examples to help districts start or expand student voice initiatives, regardless of size or resources.

    This press release originally appeared online.

    eSchool News Staff
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  • In Philly, a new generation finds it voice — and the tools to defend it

    In Philly, a new generation finds it voice — and the tools to defend it

    Katie Ratke is a rising senior and Shloka Mehta is a rising sophomore, both working as FIRE summer interns.


    Nearly 250 years ago, mere steps from the National Constitution Center in Philadelphia, a group of men locked in sweltering rooms debated the blueprint for a new nation, conceived in liberty. First among the freedoms they secured was the right to speak one’s mind, free from the chill of government meddling or the heat of mob intimidation. 

    Today, the floor echoes in the National Constitution Center. The walls are lined with powerful quotes. Along the gentle curve of the tall, marble ceilings hang the flags of all 50 states. And normally, these rooms are relatively still. But this July, the Center came alive when over 100 students from 70 universities across the country gathered there, not to write a constitution, but to figure out how to keep its promises alive.

    From July 11-13, FIRE hosted its annual Student Network Summer Conference at the National Constitution Center — a weekend-long crash course in civil liberties for young Americans who still believe the First Amendment matters, especially on campuses today. And, thanks to the generosity of FIRE’s donors, they were able to attend at no cost — with their travel, lodging, and meals entirely covered.

    “Hosting FIRE’s Summer Conference serves as a way to unite college students who care about preserving a climate of free expression on their campuses,” said Molly Nocheck, FIRE’s vice president of Student Development. “We hope students are able to take the lessons from this weekend and use them to foster a culture of civil discourse at their institutions.”

    The conference kicked off Friday evening in the Grand Hall Overlook, perched above exhibits of the very Constitution students had come to defend. FIRE’s Chief Operating Officer Alisha Glennon opened the program with a brief history of FIRE’s work protecting Americans’ First Amendment rights.

    Then came a crowd favorite: a live podcast recording of Advisory Opinions, hosted by New York Times columnist and former FIRE President David French, alongside Politico contributing editor Sarah Isgur, who is also former senior counsel to the deputy attorney general at the Department of Justice. The two unpacked a grab bag of pressing legal issues, including a new Florida decision regulating the use of pronouns in public schools and the long-running tug-of-war over campaign finance.

    Isgur ended the podcast with a rousing call-to-action: “To all you students, go out there and fight the fight!”

    Judging from the energy and spirit of debate on display throughout the weekend, the audience seemed ready to take up Isgur’s challenge.

    Saturday morning kicked off with “Free Speech 101,” led by FIRE Legal Director Will Creeley in a no-frills tour of key Supreme Court precedents and core First Amendment concepts. Afterwards, FIRE’s undergraduate summer interns turned up the heat with a fast-paced quiz game asking students to identify whether landmark cases involved protected or unprotected speech. 

    Next, FIRE General Counsel Ronnie London joined Creeley in dissecting the recent Supreme Court decision in Free Speech Coalition v. Paxton. This talk focused on the reasons why age restrictions burden free speech and raise privacy concerns. 

    After lunch, participants engaged in small group sessions where they discussed everything from global censorship to the underlying philosophy behind free speech. One student said the philosophy session was their favorite event of the weekend. “One of the exercises we did was about making the strongest cases against free speech,” they noted, “which was very useful.”

    Later that evening, David French returned for an open Q&A session that pulled no punches. Students asked about political polarization in the digital age and how to foster bipartisan dialogue on college campuses. These questions sparked probing discussions that continued well into dinner.

    The final day blended reflection with application. On Sunday morning, students put their First Amendment knowledge to the test with a Kahoot! quiz featuring scenarios based on Supreme Court cases, hosted by FIRE’s summer interns. Participants were then given the opportunity to play a massive game of  “This or That,” a political debate in which peers defended opposing views in real time. 

    Then came one of the weekend’s most forward-looking sessions. Ari Cohn, FIRE’s lead counsel for tech policy, gave a talk on the growing role of artificial intelligence in shaping public discourse and its relationship to freedom of speech.

    Before wrapping up, students heard from FIRE’s Chief People Officer Cait Scanlan, who mapped out career pathways within the civil liberties world. 

    Then the FIRE summer interns closed out the weekend with a session introducing FIRE’s “Let’s Talk!” curriculum, which teaches respectful civil discourse. Participants demonstrated key free speech principles through considering the arguments for their opponents side and ensuring everyone had an opportunity for their voice to be heard. 

    “A version of ‘Let’s Talk’ will definitely make an appearance on my campus,” one student said. But it’s not just this curriculum. This year’s cohort returns with more than just a handful of business cards. They walk away with a newfound mission to return to campus and begin work reviving the culture of civil discourse in this nation. Philadelphia may have been where free speech first became law, but for these students, it’s where their fight for it began.

    Want to join us next time? Stay tuned here for details about next year’s Student Network Summer Conference.

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  • In Philly, a new generation finds its voice — and the tools to defend it

    In Philly, a new generation finds its voice — and the tools to defend it

    Katie Ratke is a rising senior and Shloka Mehta is a rising sophomore, both working as FIRE summer interns.


    Nearly 250 years ago, mere steps from the National Constitution Center in Philadelphia, a group of men locked in sweltering rooms debated the blueprint for a new nation, conceived in liberty. First among the freedoms they secured was the right to speak one’s mind, free from the chill of government meddling or the heat of mob intimidation. 

    Today, the floor echoes in the National Constitution Center. The walls are lined with powerful quotes. Along the gentle curve of the tall, marble ceilings hang the flags of all 50 states. And normally, these rooms are relatively still. But this July, the Center came alive when over 100 students from 70 universities across the country gathered there, not to write a constitution, but to figure out how to keep its promises alive.

    From July 11-13, FIRE hosted its annual Student Network Summer Conference at the National Constitution Center — a weekend-long crash course in civil liberties for young Americans who still believe the First Amendment matters, especially on campuses today. And, thanks to the generosity of FIRE’s donors, they were able to attend at no cost — with their travel, lodging, and meals entirely covered.

    “Hosting FIRE’s Summer Conference serves as a way to unite college students who care about preserving a climate of free expression on their campuses,” said Molly Nocheck, FIRE’s vice president of Student Development. “We hope students are able to take the lessons from this weekend and use them to foster a culture of civil discourse at their institutions.”

    The conference kicked off Friday evening in the Grand Hall Overlook, perched above exhibits of the very Constitution students had come to defend. FIRE’s Chief Operating Officer Alisha Glennon opened the program with a brief history of FIRE’s work protecting Americans’ First Amendment rights.

    Then came a crowd favorite: a live podcast recording of Advisory Opinions, hosted by New York Times columnist and former FIRE President David French, alongside Politico contributing editor Sarah Isgur, who is also former senior counsel to the deputy attorney general at the Department of Justice. The two unpacked a grab bag of pressing legal issues, including a new Florida decision regulating the use of pronouns in public schools and the long-running tug-of-war over campaign finance.

    Isgur ended the podcast with a rousing call-to-action: “To all you students, go out there and fight the fight!”

    Judging from the energy and spirit of debate on display throughout the weekend, the audience seemed ready to take up Isgur’s challenge.

    Saturday morning kicked off with “Free Speech 101,” led by FIRE Legal Director Will Creeley in a no-frills tour of key Supreme Court precedents and core First Amendment concepts. Afterwards, FIRE’s undergraduate summer interns turned up the heat with a fast-paced quiz game asking students to identify whether landmark cases involved protected or unprotected speech. 

    Next, FIRE General Counsel Ronnie London joined Creeley in dissecting the recent Supreme Court decision in Free Speech Coalition v. Paxton. This talk focused on the reasons why age restrictions burden free speech and raise privacy concerns. 

    After lunch, participants engaged in small group sessions where they discussed everything from global censorship to the underlying philosophy behind free speech. One student said the philosophy session was their favorite event of the weekend. “One of the exercises we did was about making the strongest cases against free speech,” they noted, “which was very useful.”

    Later that evening, David French returned for an open Q&A session that pulled no punches. Students asked about political polarization in the digital age and how to foster bipartisan dialogue on college campuses. These questions sparked probing discussions that continued well into dinner.

    The final day blended reflection with application. On Sunday morning, students put their First Amendment knowledge to the test with a Kahoot! quiz featuring scenarios based on Supreme Court cases, hosted by FIRE’s summer interns. Participants were then given the opportunity to play a massive game of  “This or That,” a political debate in which peers defended opposing views in real time. 

    Then came one of the weekend’s most forward-looking sessions. Ari Cohn, FIRE’s lead counsel for tech policy, gave a talk on the growing role of artificial intelligence in shaping public discourse and its relationship to freedom of speech.

    Before wrapping up, students heard from FIRE’s Chief People Officer Cait Scanlan, who mapped out career pathways within the civil liberties world. 

    Then the FIRE summer interns closed out the weekend with a session introducing FIRE’s “Let’s Talk!” curriculum, which teaches respectful civil discourse. Participants demonstrated key free speech principles through considering the arguments for their opponents side and ensuring everyone had an opportunity for their voice to be heard. 

    “A version of ‘Let’s Talk’ will definitely make an appearance on my campus,” one student said. But it’s not just this curriculum. This year’s cohort returns with more than just a handful of business cards. They walk away with a newfound mission to return to campus and begin work reviving the culture of civil discourse in this nation. Philadelphia may have been where free speech first became law, but for these students, it’s where their fight for it began.

    Want to join us next time? Stay tuned here for details about next year’s Student Network Summer Conference.

    Source link