Tag: YouTube

  • YouTube for Student Recruitment in 2026

    YouTube for Student Recruitment in 2026

    Reading Time: 13 minutes

    For years, YouTube sat at the edge of higher education recruitment strategies. Institutions uploaded campus tours, student testimonials, and program overviews, but often without a measurable link to enrolment performance.

    In 2026, that approach is no longer sufficient.

    YouTube is now the second-largest search engine, a dominant short-form discovery platform, and a powerful recommendation engine. For enrolment marketers, YouTube for student recruitment is a full-funnel channel, not a branding add-on. Prospective students discover institutions through Shorts, research programs via YouTube search, and evaluate credibility through long-form video. The algorithm continues guiding them long after the first view.

    If your content is not structured intentionally, YouTube will still sequence it. The difference is whether that sequencing supports your recruitment goals. This article outlines how to use Shorts for reach, search for intent, and video sequencing to move prospects from awareness to application.

    Refine your school’s YouTube student recruitment strategy?
    Contact HEM for more information.

    How Big Is the Student Recruitment Market?

    The global student recruitment market spans billions annually, including digital advertising, agency partnerships, CRM systems, and marketing services. With international mobility rebounding and domestic competition intensifying, institutions are increasing investment in digital channels such as search, social, and video to secure qualified applicants in an increasingly competitive environment.

    What kind of marketing works best with students on college campuses? Authentic, peer-led, and mobile-first content performs best. Students respond to relatable voices, clear outcomes, and practical information. Video, short-form content, and search-driven resources outperform static promotional messaging. Campaigns that combine social proof, transparency about cost and outcomes, and clear next steps tend to drive stronger engagement and action.

    How to create a YouTube channel for college recruiting? Start with structure, not volume. Define your recruitment goals first. Build channel sections around Tours, Programs, Student Life, and How to Apply. Create 3–5 core playlists that reflect enrolment journeys. Publish Shorts for reach and search-optimized long-form for intent. Use consistent CTAs, end screens, and descriptions that link directly to admissions pages.

    Why YouTube Matters More in 2026, and Why “Posting Videos” Is Not a Strategy

    In 2026, YouTube is no longer a secondary distribution channel. It is part of the core infrastructure for digital recruitment. For higher education institutions competing for fragmented attention, YouTube for student recruitment offers something few platforms can: sustained visibility across awareness, consideration, and decision stages.

    Today, YouTube functions as:

    • A discovery engine driven by search-led intent
    • A daily habit channel powered by Shorts-led reach
    • A conversion-assist channel enabled by sequenced viewing and retargeting

    That combination is precisely what enrolment marketers need. It delivers qualified attention at scale, tighter control over institutional messaging, and a measurable pathway from curiosity to inquiry.

    What has changed is not only audience behaviour. The platform itself has evolved. Shorts’ recommendation mechanics continue to refine how short-form content is surfaced. According to TechCrunch, YouTube search increasingly mirrors traditional SEO dynamics, rewarding structured titles, descriptive metadata, and topical consistency. 

    On the paid side, Google’s shift toward Demand Gen formats is reshaping how institutions build video sequencing and retargeting strategies across devices.

    The implication is clear: publishing isolated videos is not a strategy. A disconnected campus tour, a standalone testimonial, and an occasional program overview do not create momentum. Without intentional sequencing, search framing, and next-step design, views rarely translate into measurable recruitment outcomes.

    HEM perspective: Most schools do not have a YouTube volume problem. They have a sequencing problem. Content exists, but it is not architected to guide prospects from discovery to deeper engagement.

    Example: Harvard University: Harvard organizes content into clearly defined playlists spanning student life, faculty research, campus features, and admissions-related material. Thumbnails are consistent and institutional. Titles are descriptive rather than abstract. This supports sequencing and discoverability. Thematic grouping allows viewers to move laterally across related content, increasing session depth. Harvard treats YouTube as an always-on institutional library, not a campaign archive.

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    Source: YouTube

    These institutions are not outperforming because they publish more. They treat YouTube as an always-on recruitment environment, not a campaign landing zone.

    The 2026 Framework: Shorts + Search + Sequencing

    If you take one model into planning, make it this:

    • Shorts = Reach and familiarity
    • Search = Intent capture
    • Sequencing = Momentum to conversion

    Shorts introduce your institution to new audiences and build repeated exposure through habitual viewing. Search-optimized long-form videos surface when prospects actively research programs, career outcomes, or admissions requirements. Sequencing, through playlists, retargeting, and structured next steps, moves viewers from passive interest to measurable action.

    You can deploy this framework organically, through paid media, or with a hybrid approach. The key is strategic design. Each format should perform one primary function within a coordinated recruitment video strategy, rather than competing for the same objective.

    Part 1: Shorts for Student Recruitment, Top-of-Funnel That Does Not Feel Like Marketing

    Shorts are where students decide whether your institution feels relevant. In 2026, attention is earned in seconds. If your content feels scripted or overly institutional, it is skipped.

    Shorts perform for recruitment when they:

    • Put the student experience into motion, showing campus, community, and daily routines
    • Answer one micro-question clearly and directly
    • Feel native to the feed, with a fast hook, simple structure, and low friction

    This is not about production polish. It is about authenticity and clarity.

    Important platform note for 2026 reporting: Shorts view counting methodologies and search integrations have evolved. Benchmarking performance requires updated internal expectations around reach, retention, and discovery attribution. Marketing teams must recalibrate reporting frameworks accordingly.

    A Practical Short-Content Menu for Higher Ed

    Instead of asking, “What should we post?”, build repeatable categories that align with enrolment questions.

    Belonging and fit

    • “What surprised you most about your first year?”
    • “What I wish I knew before moving into residence.”
    • “One thing people misunderstand about our campus.”

    These build emotional resonance and social proof.

    Program clarity

    • “What you actually do in this major.”
    • “Three career graduates don’t realise this program leads to”
    • “A day in the lab, studio, or clinic”

    These address confusion and surface outcomes early.

    Affordability and outcomes

    • “How scholarships actually work here, in 20 seconds.”
    • “Co-op, placements, and what support looks like.”
    • “How students balance work and study.”

    These reduce perceived barriers.

    Process confidence

    • “Application mistakes to avoid.”
    • “Portfolio tips in 30 seconds”
    • “How to book a campus tour or virtual session.”

    These lower friction and encourage the next steps.

    Example: MIT frequently uses concise, concept-driven videos that demonstrate research and student work in action. Many videos open with outcome-forward framing rather than institutional introductions. This reflects the “show, do, explain” pattern effective for Shorts and short-form discovery. Complex topics are broken into focused, digestible units aligned to curiosity-led viewing.

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    Source: YouTube

    The lesson is structural. One idea. One outcome. One next step.

    Shorts Production That Is Realistic for Higher Ed Teams

    A sustainable workflow typically includes:

    • One filming block per month, capturing 20 to 40 short clips
    • One standardized editing template for captions, opening text, and end card
    • A weekly publishing cadence of two to four Shorts

    To maintain quality without overproduction:

    • Use on-screen captions by default
    • Open with the outcome, not the introduction
    • Prioritize student voice, with staff as contextual authority

    Shorts succeed when they feel human, immediate, and purposeful.

    Part 2: YouTube Search as the Recruitment Middle Funnel

    Shorts create familiarity. Search creates action.

    When a prospect searches YouTube, they are often further along in the decision process than when they passively scroll through Shorts. Search behaviour typically centres on high-intent queries such as:

    • “campus tour [school]”
    • “residence tour [school]”
    • “Is [program] worth it?”
    • “How to apply to [school].”
    • “Scholarships [school]”
    • “International students [school]”
    • “Co-op [school]”
    • “Student life [city] university.”

    These are not curiosity clicks. They signal evaluation. YouTube search, in this context, functions as a middle-funnel conversion driver.

    Why YouTube Search Is More Important in 2026

    Recent platform changes have given users greater control over filtering Shorts versus long-form content in search results. That shift directly affects discoverability and influences how institutions should title, label, and package videos.

    In practical terms:

    • Shorts can dominate quick-answer queries and surface in “how to” or FAQ-style searches
    • Long-form videos win depth queries such as tours, admissions walkthroughs, and program explainers

    A strong recruitment strategy deliberately produces both formats with different search roles.

    The YouTube SEO Checklist for Higher Ed That Actually Matters

    Titles: Clarity First

    • Mirror the language prospects use
    • Avoid internal terminology and acronyms
    • Use year signals when relevant, such as “2026 admissions” or “2026 scholarships”

    If students search “How to Apply to [School],” your title should match that phrasing directly.

    Descriptions: Structure for Search and Action

    • First two lines: state who the video is for and what question it answers
    • Follow with direct links to relevant pages, including program pages, admissions, and tour booking
    • Then include timestamps, related resources, and additional video links

    Descriptions are not filler. They are structural metadata and conversion infrastructure.

    Chapters and Timestamps
    Chapters improve navigation and strengthen topical clarity, especially for longer admissions or financial aid videos. They also reinforce keyword associations within YouTube’s indexing system.

    Captions
    Accurate captions improve accessibility and retention. They also support comprehension for viewers watching without sound and contribute to search relevance.

    Thumbnail and First 10 Seconds
    Winning search visibility is only the first step. Click-through rate and early retention determine whether YouTube continues recommending the video. The opening must confirm relevance immediately.

    Example: University of Michigan’s Prospective Students portal is not YouTube proper, but it is a highly relevant reference model because it demonstrates what a recruitment-first channel should look like: explicit segmentation, clear titles, and playlist-style browsing. The hub has top-level navigation for “Prospective Students,” “Admitted Students,” and “Video Tours,” mirroring the sequencing logic recommended in the article. 

    Within “Prospective Students,” the hub includes canonical, search-matching assets like “Campus Tour” and gives duration context (18 minutes) that signals “depth content for evaluators,” which in the YouTube framework corresponds to Search = intent capture.

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    Source: University of Michigan

    The objective is not imitation. It is recognition through tour intent, application intent, and scholarship intent that live on YouTube. Institutions that optimize for search capture prospects at the moment of evaluation.

    Part 3: Sequencing, the Strategy Most Schools Are Missing

    Sequencing is how you turn YouTube from isolated content into recruitment momentum.

    Most institutions produce individual videos. Few design intentional pathways. Without sequencing, every video must perform independently. With sequencing, each video advances the viewer toward a clearer next step.

    A basic recruitment sequence looks like this:

    • Video A creates curiosity
    • Video B answers the next question
    • Video C reduces risk
    • Video D prompts the action

    This mirrors the enrolment journey. Awareness leads to evaluation. Evaluation leads to reassurance. Reassurance leads to action.

    You build sequences using:

    • Playlists
    • End screens and cards
    • Pinned comments
    • Channel sections
    • Retargeting, where paid media is available
    • Consistent creative cues such as recurring hosts, naming conventions, and thumbnail systems

    The objective is continuity. When a student watches one video, the next logical step should be obvious and frictionless.

    The Simplest Organic Sequence to Implement

    Sequence: From first view to campus tour booking

    • Short: “One thing students wish they knew.”
    • Long-form: “Campus tour, what to expect”
    • Long-form: “Residence, affordability, student support.”
    • Short: “How to book a tour or apply, link in description.”
    • Community post or follow-up Short: “FAQ from comments.”

    This sequence moves from emotional connection to practical detail to conversion instruction. Each step anticipates the next question rather than waiting for the viewer to search again.

    Example: University of Cambridge is a strong exemplar of series-style recruitment packaging that supports all three framework layers. On the channel playlists index, Cambridge pairs short-form-friendly collections (“30 seconds,” “30 seconds of Cambridge Colleges”) with application-oriented sequences (“Get In Cambridge,” “Cambridge Open Days,” “Vlogbridge”). This is exactly what “Shorts + Search + Sequencing” looks like when operationalized as a channel system. 

    Cambridge also provides visible conversion CTAs inside video descriptions that tie YouTube viewing to an enrolment action. In “Top 10 Cambridge University myths – busted!,” the description includes an explicit next step: “See for yourself, sign up for an Open Day…”—a direct example of moving from consideration content into a real-world conversion event. 

    For search, the “myths busted,” “top tips,” and “day in the life” patterns map cleanly to common applicant queries (“is Cambridge really like…,” “how to apply to Cambridge,” “Cambridge myths”), increasing the likelihood that Cambridge’s own videos win the search result instead of third-party explainers.

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    Source: University of Cambridge

    Even when content is broad, grouping videos into clear thematic arcs improves session duration and reinforces institutional positioning. Sequencing is not about producing more content. It is about connecting what already exists into a coherent recruitment pathway.

    Sequencing with paid media in 2026 (what has changed)

    Higher ed paid teams often treat YouTube as a reach buy, then wonder why results look soft.

    In 2026, paid sequencing works best when it is designed like a progression, not a single ad.

    Key platform shift: Google Ads has been moving advertisers from Video Action Campaigns toward Demand Gen, with defined migration milestones and new controls. This matters for schools using YouTube to drive inquiries and applications through paid video.

    A practical paid sequencing model for higher ed

    Layer 1: Prospecting

    • Use short creative variants (15s, 6s, vertical)
    • Optimize for reach and view-based engagement
    • Target by intent clusters (fields of study, career interests), plus geo where relevant

    Layer 2: Consideration

    • Retarget video viewers with longer content
    • Serve “program clarity” and “student experience” assets
    • Drive to high-intent pages (program pages, tours, webinars)

    Layer 3: Conversion assist

    • Retarget site visitors and engaged viewers
    • Use clear CTAs: book a tour, attend an info session, start an application
    • Match landing pages to the promise of the video

    If your institution is in Canada and recruiting nationally or internationally, sequencing also helps you segment by region and readiness, without fragmenting your channel into chaos.

    What “Shorts + Search + Sequencing” looks like in a real editorial plan

    Here is a sample 6-week plan that a small team can execute.

    Weeks 1 to 2: Build the discovery base

    • 6 Shorts (belonging, affordability, program outcomes)
    • 1 search-led long-form video (campus tour, program explainer, admissions walkthrough)
    • Create a playlist: “Start Here: [Institution] in 2026.”

    Example: University of Toronto U of T’s playlists index shows segmentation that maps cleanly to recruitment audiences and intents, including “International Students,” “Welcome to the University of Toronto,” and a tour-focused set (“Tour the Faculty of Arts & Science at U of T”). This is the structural prerequisite for sequencing: viewers can enter at a high-level “welcome” playlist and then self-route into specific need states (tour, international). 

    U of T also maintains Shorts as a format layer (Shorts tab is explicitly present), supporting the “Shorts = reach” side of the framework. Cadence is not explicitly quantified in the excerpt, but the Shorts index includes recent campus-life items like “#MyUofT: Clubs Fair 2025,” indicating recurring short-form presence.

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    Source: University of Toronto

    Weeks 3 to 4: Add the next-question layer

    • 6 Shorts (FAQs from comments, myth-busting, student tips)
    • 1 long-form: “How to apply, key dates, what matters.”
    • 1 long-form: “Scholarships, affordability, support.”

    Weeks 5 to 6: Drive action without feeling pushy

    • 6 Shorts (deadline prompts, “how to book a tour”, “who to contact”)
    • 1 long-form: “Student panel: what I chose and why.”
    • Retargeting flight (if paid is available): viewers of 50%+ of long-form

    Measurement: what to report (and what not to over-index on)

    If YouTube Shorts’ definitions and search filtering are shifting, your reporting needs to be stable enough to remain credible across changes.

    For recruitment teams, focus on:

    YouTube-native engagement quality

    • Returning viewers growth
    • Watch time and average view duration (especially on search-led long-form)
    • Audience retention curves (where do they drop, where do they rewatch)

    Traffic and conversion assist

    • Clicks to site (from descriptions, end screens)
    • Branded search lift (in Google Search Console)
    • Tour bookings, info session registrations, inquiry form completions

    Sequence health

    • Playlist starts and completions
    • End screen click-through rate
    • Viewer paths (what they watched next)

    Avoid overreacting to:

    • Raw view counts alone (especially on Shorts, where counting approaches have changed) 
    • One-off viral spikes that do not lead to deeper viewing

    Common Mistakes HEM Sees with YouTube in Higher Education

    Many institutions post polished highlight reels that have no search utility. The video may look strong, but without query-based titles, structured descriptions, chapters, or a clear CTA, it does not capture intent or drive action.

    Shorts are often treated as random content rather than strategic entry points. Effective Shorts should ladder into a longer answer, playlist, or defined next step. Without that bridge, attention dissipates.

    Another common issue is the absence of a series architecture. If prospects cannot easily binge related content, they leave the channel and continue research elsewhere.

    Overproduction is also a frequent trap. Cinematic quality does not compensate for inconsistency. In recruitment, regular publishing and clarity build more trust than occasional flagship videos.

    Finally, one-size-fits-all messaging weakens impact. International students, domestic commuters, graduate applicants, and career switchers each evaluate different risks and priorities. Sequencing and content design should reflect those distinctions.

    The Operational Checklist So Teams Can Execute

    Channel foundations

    • Clear channel trailer for prospective students
    • Channel sections: Tours, Programs, Student Life, How to Apply, International
    • 3 to 5 pinned playlists

    Content system

    • 4 Shorts categories you can repeat every month
    • 2 search-led long-form videos per month (minimum)
    • 1 student-led recurring series (simple format)

    Conversion pathways

    • Description templates with consistent CTAs
    • End screens: next video + “Apply / Book a tour”
    • Pinned comment linking to the next step

    Paid (optional)

    • Viewers retargeting pools
    • Sequence creative mapped to funnel stages
    • Landing pages matched to video promises

    Where HEM Fits

    YouTube marketing is not separate from your enrolment marketing system. It should connect to your inbound strategy, your content planning, and your conversion pathways across the site.

    If you want HEM support with:

    • YouTube strategy and sequencing architecture
    • Search-led video content planning for recruitment
    • Paid YouTube and Demand Gen sequencing tied to enrolment actions
    • Measurement frameworks that leadership can trust

    You can start here:

    Refine your school’s YouTube student recruitment strategy?
    Contact HEM for more information.

    FAQs

    How to create a YouTube channel for college recruiting?
    Start with structure, not volume. Define your recruitment goals first. Build channel sections around Tours, Programs, Student Life, and How to Apply. Create 3–5 core playlists that reflect enrolment journeys. Publish Shorts for reach and search-optimized long-form for intent. Use consistent CTAs, end screens, and descriptions that link directly to admissions pages.

    What kind of marketing works best with students on college campuses?
    Authentic, peer-led, and mobile-first content performs best. Students respond to relatable voices, clear outcomes, and practical information. Video, short-form content, and search-driven resources outperform static promotional messaging. Campaigns that combine social proof, transparency about cost and outcomes, and clear next steps tend to drive stronger engagement and action.

    How big is the student recruitment market?
    The global student recruitment market spans billions annually, including digital advertising, agency partnerships, CRM systems, and marketing services. With international mobility rebounding and domestic competition intensifying, institutions are increasing investment in digital channels such as search, social, and video to secure qualified applicants in an increasingly competitive environment.

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  • Why YouTube caving to Trump is cowardly

    Why YouTube caving to Trump is cowardly

    Another one bites the dust. That’s what the headline should be this week. 

    On Monday, YouTube agreed to pay $24.5 million to President Trump and several others, settling a lawsuit over YouTube’s suspension of their accounts following the events at the U.S. Capitol on Jan. 6, 2021.

    This marks the third major social media company to capitulate to the Trump administration this year. In June, Meta settled for $25 million, followed by X, who agreed to a $10 million settlement less than a month later. Unfortunately, this is in addition to media companies like Paramount Global, who bent the knee to Trump for $16 million this past July, and ABC News, who settled for $15 million late last year. That’s also not to mention the universities that caved after government pressure and bullying. Columbia, for example, agreed to a $221 million settlement with the Trump administration in July. And Harvard, after a long fight, is also reportedly approaching a $500 million settlement this week.

    If you care about free speech, this should really piss you off. These companies and institutions traded principle — and, most importantly, the opportunity to stand on their First Amendment rights — for profit and short-term peace of mind.

    How do we know? Because in many cases, such as that of Paramount Global, the settlement was a thinly veiled prerequisite to FCC approval of a major — and lucrative — business deal the company was after.

    We also know it because many of the lawsuits themselves were, to quote FIRE Chief Counsel Bob Corn-Revere, “forehead-slappingly stupid”— such as Trump’s claim against CBS (which is what held up the Paramount deal).

    The complaint against YouTube is merely the latest example of this baseless legal posturing. It rests on two counts: First, that YouTube violated the First Amendment by suspending Trump and his fellow plaintiffs’ accounts. Second, that Section 230 of the Communications Decency Act is an unconstitutional source of immunity for companies like YouTube to engage in censorship.

    Both counts are without merit.

    YouTube is a private company with its own First Amendment rights

    Throughout the complaint, Trump and his fellow plaintiffs argue that YouTube was doing the bidding of the Biden White House and Democratic members of congress, effectively turning the platform into a government actor. As a result, the complaint argues, YouTube became subject to First Amendment restrictions on censoring “constitutionally protected speech on the Internet, including by and among its approximately 2.3 billion users that are citizens of the United States.”

    To the untrained ear, this may actually sound reasonable. After all, YouTube is a place where millions of people communicate with one another and receive information about the news of the day. But none of that changes the fact that YouTube is also a private company with its own First Amendment rights — which includes the right not to publish or platform content or speakers it disfavors. When you recognize that, the entire argument in this complaint falls apart.

    The complaint attempts to justify its contention by noting that the platform was “encouraged and immunized by Congress” to suspend the accounts of Trump and the other plaintiffs. (Part of this so-called immunity comes from 1996’s Section 230, which the complaint also attacks. We’ll get into that in a moment.) “In censoring the specific speech at issue in this lawsuit and deplatforming Plaintiff, Defendants were acting in concert with federal officials, including officials at the CDC and the (Biden) White House,” the complaint reads. “As such, Defendants’ censorship activities amount to state action.” Unfortunately for Trump and his fellow plaintiffs, that’s not how the law works. 

    According to the complaint, the Biden administration engaged in coercive and indirect tactics to pressure these social media companies to censor and deplatform views the administration didn’t like — otherwise known as jawboning. This, as we’ve argued beforedoes violate the First Amendment. A year ago in NRA v. Vullo, the Supreme Court agreed, unanimously affirming what had been ruled in 1963’s Bantam Books v. Sullivan: The government can’t do indirectly what the First Amendment prevents them from doing directly.

    However, if Trump and his fellow plaintiffs are arguing that the Biden administration jawboned YouTube, they’re suing the wrong people. While jawboning is a violation of the First Amendment, it doesn’t magically transform the coerced party into a government actor. It certainly doesn’t cause a private company to lose its own First Amendment rights. There are multiple tests for when a private person or entity becomes a state actor, but in order to justify this claim in this context, the complainants would have to show concerted action — in other words, the platform consciously acted as the government. The allegation that the platform sometimes gave into government pressure doesn’t satisfy that standard.

    Section 230 is not unconstitutional

    The second count in the complaint attempts to further justify the first, but inadvertently emphasizes why both are baseless. “Defendants would not have deplatformed” Trump and his fellow plaintiffs, the complaint reads, “but for the immunity purportedly offered by Section 230.” That is nonsense. The platforms did not need “immunity” in deciding to deplatform anyone because nothing in the law compels them to carry particular speakers.

    In a nutshell, Section 230 says that platforms like YouTube, X, and Facebook cannot be held legally liable for the content posted on their sites by their users. The law also further protects platforms’ right to curate and moderate that content as they see fit, like a bookseller would.

    For years, politicians on both sides of the aisle have railed against and mischaracterized Section 230 for their own partisan reasons. This complaint against YouTube is no different:

    Section 230… [was] deliberately enacted by Congress to induce, encourage, and promote social media companies to accomplish an objective — the censorship of supposedly “objectionable” but constitutionally protected speech on the Internet — that Congress could not constitutionally accomplish itself.

    The complaint argues that Section 230 is little more than a tool for jawboning. As a result, the complaint “seeks a declaration that Section 230…[is] unconstitutional insofar as [it purports] to immunize from liability social media companies and other Internet platforms for actions they take to censor constitutionally protected speech.”

    This is, to put it bluntly, wrong.

    First of all, Section 230 was passed in 1996, long before the advent of social media. The idea that it was “enacted by Congress to induce, encourage, and promote” censorship on social media would require a time machine to make true. Second, Section 230 actually works as a safeguard against jawboning — granting publishers and platforms an additional layer of protection against government pressure when it comes to content moderation (and from private causes of action, too). And I say “additional” here because the First Amendment already protects the right of these platforms to use their own editorial discretion, as the Supreme Court held just last year in Moody v. NetChoice

    In other words, Section 230 doesn’t grant these platforms any rights the First Amendment does not. Rather, it further protects those rights from baseless legal action — such as the complaint YouTube just paid $24.5 million to avoid fighting.

    And this is why it’s so disappointing that YouTube caved.

    These companies cower at their — and our — peril

    Just as with Paramount, ABC, Meta, X, and even Trump’s “SLAPP” lawsuit against the Iowa pollster J. Ann Selzer and The Des Moines Register (who, thankfully, have not rolled over), the YouTube settlement is another example of what we’ve been calling the extortion-industrial complex: The Trump administration’s intention to seize control of America’s media industry through the use and abuse of government powers.

    Add to that the administration’s unlawful and unconstitutional attempts to nationalize private institutions of higher education, and we have a serious problem on our hands. These actions, and the majority of the targets’ unwillingness to fight back, pose a major threat to our most foundational freedoms. If our colleges and universities are forced to toe the ideological line of whoever is in power, and if our media companies operate under the boot of the state, we lose both the free inquiry given to us by academic freedom and the open discourse given to us by a free press.

    What makes all this worse is that the lawsuits are based on obviously meritless claims that would never withstand scrutiny if they actually went to court. The Trump administration has been mauling these institutions with paper tigers, and the institutions have decided to cower in fear rather than fight. Sure, in the short term, the settlements may help to achieve government favor. The mergers may go through. The federal funding may resume or continue to flow. Costly legal battles may be at least temporarily avoided. But meanwhile, “the freedom of Speech may be taken away,” as George Washington once said, “and dumb and silent we may be led, like sheep, to the Slaughter.”

    That’s the cost of these companies’ cowardice: The First Amendment freedoms we all depend on to protect our individual rights and keep our democracy going. When those are given up, there’s no getting them back. We should all be fighting like hell to keep them.

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  • Elevate Your Higher Education YouTube Channel with Proven SEO Tactics

    Elevate Your Higher Education YouTube Channel with Proven SEO Tactics

    In today’s competitive digital landscape, higher education institutions must continually evolve to reach and engage prospective students. YouTube has evolved from a video-sharing platform into a dynamic search engine where students explore campus life, academic programs, and authentic student experiences. That’s why developing and optimizing a higher education YouTube channel is more important than ever.

    Smart video SEO strategies can significantly improve visibility, build brand authority, and support enrollment goals for institutions. A well-crafted YouTube strategy plays a crucial role in this effort, ensuring that content reaches and resonates with prospective students.

    Why YouTube SEO matters for higher ed video marketing

    YouTube SEO goes beyond views. It positions your institution within one of the most influential search engines in the world. YouTube has become the second-largest search engine after Google, and for today’s prospective students — many of whom are digital natives — video is a primary method of discovery and research.

    Whether exploring campus life, comparing academic programs, or seeking authentic student voices, prospective learners turn to YouTube to gather insights that influence their decisions. A well-optimized higher education YouTube channel offers a range of benefits, including:

    • Builds credibility and trust by providing authentic, engaging content.
    • Expands visibility on a platform used heavily by prospective students.
    • Drives enrollment by surfacing at key moments in the decision-making journey.
    • Strengthens your digital footprint through content that aligns with search behavior.
    • Supports multi-channel strategies by integrating with websites, email, and social media.
    • Improves AI-driven search visibility as AI-powered search results increasingly prioritize video content. (Tools like YouTube’s auto-transcription and AI tagging can further enhance discoverability.)

    Optimizing your channel ensures your content appears when it matters most and positions your institution as a leader in digital engagement.

    “Video content is the future of marketing—it’s authentic, engaging, and capable of building trust with your audience faster than any other medium.”

    Neil Patel, digital marketing expert

    Build a strong SEO foundation for your higher education YouTube channel

    Every video your institution shares is more than just content — it’s an opportunity to shape perceptions, highlight your strengths, and connect with your audience. Before diving into more advanced strategies, it’s essential to ensure that each video is built on a solid SEO foundation.

    When executed consistently, these foundational elements can make the difference between content that gets buried and content that drives meaningful engagement. Foundational elements include:

    • Accurate video transcripts: Ensure transcripts are complete and error-free. This enhances accessibility and helps search engines understand your content. Also, include captions and alt text to enhance accessibility and meet ADA standards.
    • Optimized video settings: Configure each video correctly (e.g., mark as “not for children”, assign relevant categories, add strategic tags) to improve discoverability.
    • Robust video descriptions: Use keyword-rich, detailed descriptions aligned with your academic offerings. Think like a prospective student searching for programs or campus life.
    • SEO-friendly video titles: Titles should be compelling, clear, and keyword-focused. Avoid jargon — focus on what the viewer will gain.

    Apply advanced channel strategies to stand out

    Once the foundational elements are in place, it’s time to move beyond the basics. Elevating your higher education YouTube channel requires thoughtful planning and strategic segmentation. This is especially important for institutions with diverse academic offerings and multiple audiences, such as prospective undergraduate and graduate students.

    Taking a more advanced approach can help differentiate your content, make navigation easier for users, and deliver tailored experiences that align with varied student needs. To elevate your channel’s performance and support segmented marketing goals:

    • Create dedicated channels: Maintaining separate channels for different audiences (like graduate versus undergrad) allows for more targeted messaging and cleaner audience segmentation.
    • Use playlists strategically: Group videos by topic or series and apply consistent naming conventions. This improves navigation, boosts engagement, and supports channel SEO.
    • Optimize thumbnails and preview content: High-quality thumbnails and concise preview text boost click-through rates, especially on mobile devices.

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    Enhance viewer engagement

    Even if your department isn’t directly producing every video, there’s still an opportunity to influence engagement and performance. By implementing a few proven tactics, institutions can increase viewer interaction and strengthen their presence on YouTube.

    These strategies work in tandem with foundational SEO practices to extend the reach and impact of your video content:

    Include clear calls-to-action (CTAs): Ask viewers to like, comment, subscribe, or visit your website. These actions signal relevance to YouTube’s algorithm.

    Leverage end screens and cards: Use these to direct viewers to related content, encouraging longer sessions and deeper engagement.

    Maintain consistent branding: Ensure videos reflect your institution’s visual identity and messaging tone to reinforce brand equity.

    Integrate video into your broader strategy

    YouTube content shouldn’t exist in a silo. When part of a cohesive higher ed video marketing approach, your higher education YouTube channel becomes a versatile asset that supports communication and engagement across platforms.

    To truly maximize its value, it must be woven into your institution’s broader marketing and communication ecosystem. When aligned with your website, email campaigns, and social media channels, your YouTube strategy reinforces key messages and creates a cohesive experience for prospective students.

    YouTube videos can be a powerful asset across multiple marketing channels:

    • Website integration: Embed program overviews, testimonials, and campus tours to enrich landing pages and drive engagement.
    • Email campaigns: Incorporate personalized video content into outreach and drip campaigns to boost open and click-through rates.
    • Social media amplification: Repurpose YouTube content into short clips for Instagram, TikTok, Facebook, and LinkedIn to reach broader audiences.
    • Virtual events and webinars: Leverage recorded content as follow-up resources or promotional teasers.
    • Advertising and paid media: Use high-performing videos in YouTube ads or across PPC campaigns to increase reach and ROI.

    Stay agile and stay ahead

    YouTube SEO isn’t a one-time effort — it’s a continuous process. Use YouTube Studio to track key performance metrics such as watch time, engagement, and search impressions. These insights help guide your strategy and identify opportunities to improve content.

    Monitor analytics regularly, refresh metadata, and adapt to changing viewer behaviors. Institutions that stay agile will be better positioned to engage digital-native audiences.

    Take your higher ed video marketing to the next level

    YouTube remains a powerful tool to build institutional visibility and connect with prospective students. At Collegis Education, our expansive marketing services are backed by deep expertise in higher ed SEO, digital strategy, and content performance. Whether you’re refining your current efforts or starting fresh, a smart, scalable strategy can turn your YouTube channel into a powerful tool for student engagement.

    Let’s connect and start building a smarter strategy today.

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  • FIRE highlights artistic freedom with launch of new YouTube interview series featuring heavy metal and punk’s biggest stars

    FIRE highlights artistic freedom with launch of new YouTube interview series featuring heavy metal and punk’s biggest stars

    Today the Foundation for Individual Rights and Expression presents a new video series — “Fire with FIRE” — featuring some of the biggest and up-and-coming names in heavy metal and punk rock.

    Throughout the summer, FIRE will drop a new conversation every other week on our YouTube channel with the likes of:

    Artists can be the canaries in the coalmine. Too often, they are the first to be censored, or worse — much, much worse. 

    In Nazi Germany, the regime destroyed and banned certain art, particularly Jewish art, and labeled it “degenerate.” Jewish artists like Charlotte Salomon — who some argue created the first graphic novel — were sent to death camps and murdered by Adolf Hitler’s thugs.

    The Soviets were no better. Artists who rebelled against the confines of the state-approved artform of “Socialist Realism” were blacklisted, sent to the gulag, or executed. (After the Soviet Union’s fall, Russian dictator Vladimir Putin revived the old regime’s repression of artists, most famously targeting the punk rock and performance art collective Pussy Riot. Most members now live in exile after criticizing Russia’s brutal invasion of Ukraine.)

    In 1973, the military dictatorship of Gen. Augusto Pinochet tortured and murdered Chilean artist and folk singer Víctor Jara for his music and political activism. His murderers pumped him full of bullets and then dumped his body on a public road. Message sent. 

    After the Islamic Revolution engulfed Iran, the ultra-religious government banned Western heavy metal and punk music. The Iranian regime has persecuted, arrested, and thrown in prison musicians daring to play such music. In 2015, for example, the members of the Iranian death metal band Confess were sentenced to years in prison and 74 lashes for blasphemy, disturbing public opinion, and anti-government propaganda. They fortunately escaped to Norway. 

    America isn’t immune to such crackdowns on creative expression either.

    During the McCarthy era of the late 1940s into the 1950s, artists like director, actor, and writer Orson Welles; screenwriter and novelist Dalton Trumbo of “Spartacus” and “Johnny Got His Gun” fame; folk singer Pete Seeger; and many others were blacklisted because of their left-wing politics and Communist ties, real or imagined. 

    In the 1960s and 1970s, the FBI surveilled artists associated with the Civil Rights and antiwar movements. The bureau maintained files on John LennonThe Monkees, and the proto-punk band MC5. Even the soul and gospel singer Aretha Franklin had a 270-page FBI file, with G-men monitoring her because of her connections to the Civil Rights movement and “Black extremists.” 

    During the 1980s, the Parents Music Resource Center — co-founded by future Vice President Al Gore’s wife Tipper — created a moral panic around heavy metal, punk, and pop artists like Twisted Sister, the Dead Kennedys, and Prince. The PMRC’s crusade led not only to “Parental Advisory” stickers on albums but also to what is arguably Glenn Danzig’s best composition ever, “Mother.” 

    Enter the “Fire with FIRE” interview series. 

    Every two weeks, FIRE will release conversations with six of the biggest metal and punk artists in music right now about their inspirations, their influences, and why free expression not only makes life worth living, but is also essential to a free society. 

    First up: Spencer Charnas of Ice Nine Kills. What a bloody mess this interview is. Our host Ryan J Downey slices into Spencer’s musical inspirations, why horror movies infest his music and art, and how Disney censored Ice Nine Kills — with Spencer getting the last howling laugh. 


    Like it. Share it. Tell us what you think in the YouTube comments. And let us know who you’d love us to interview in the future!

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